Reflection 아버지

Brian Eno - Reflection (2017) {Japan Ultimate HiQualityCD BRC-538 - First Press/External Bonus}
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© 2017 Opal / Warp Records / Beat Records Japan | BRC-538
Electronic / Ambient / Avant-Garde / Experimental Ambient / Process-Generated Music

In 2016, as he was preparing for the release of Reflection, Brian Eno admitted that he wasn't quite sure what the term "ambient music" even means anymore. It's been used to describe everything from atmospheric techno to tense, foreboding sound sculptures. For him, it's always referred to generative compositions, unrestricted by time constraints or rhythmic structures, and often left to chance. Reflection continues with the type of albums he initiated with 1975's untouchable Discreet Music. The piece slowly unfolds over the course of an hour, with notes calmly being suspended in mid-air, only to drift away and pop up later at their leisure.

George Duke - Faces In Reflection (1974) {Verve Originals B0011514-02 rel 2008}
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© 1974, 2008 MPS / Verve | B0011514-02 | Verve Originals Series
Jazz / Soul Jazz / Jazz Funk / Keyboards

Killer keyboards from the legendary George Duke – and one of his most righteous albums for the MPS label! The album's a spectacular set that showcases both sides of Duke's genius at the time – his spacey, soulful approach to a laidback tune – and his more jamming styles on the harder cuts! Instrumentation is somewhat spare – just keyboards and piano from George, who also sings a bit – plus Ndugu Chancler on drums and John Heard on bass – both playing with a freely creative energy that's definitely motivated by Duke. There's a beautiful mix of electricity and acoustic warmth on the set – never too forced, and clearly an inspiration for countless players in years to come – maybe even more so than Herbie Hancock's work of the time. Drums are great too – and snap tightly for plenty of nice breaks on the set – which are in turn augmented by mellower keys from Duke, who also sings with a sweetly electric soul style.

Reflection is also-ran late-'60s British blues-rock, with more rock-oriented takes on the kind of approach used by heroes Freddie King and B.B. King. B.B. King's "You'll Never Know," in fact, is covered here, though most of the material was penned by the band. Steamhammer doesn't put much of an original spin on its sources, or on the British blues-rock form, though this is competent and does generally have a moodier, more downbeat feel than most of the band's competition in the genre. The expressive qualities of Kieran White's voice, though, are limited, as though he's being pinched by something that keeps him from letting go too much…

Pentangle were always great at creating musical fusions, and on this album, they once again came through. The opening song, "Wedding Dress," is a fabulous meeting of Celtic, country, and, believe it or not, funk. It's one of the few songs of theirs that actually rocks. The rest of the record is classic Pentangle, with Bert Jansch's and John Renbourn's acoustic guitars intermingling so well that it would make even Neil Young and Stephen Stills a little envious. Jacqui McShee, as usual, has some exquisite vocal moments, namely the previously mentioned "Wedding Dress" and an excellent reading of "Will the Circle Be Unbroken." This track shows how the group was further exploring new musical ground, this time with traditional American folk/gospel. The group's rhythm section of Danny Thompson (upright bass/cello) and Terry Cox (percussion) – easily one of the most inventive on the planet – shines on every cut, creating solid ground for Renbourn, McShee, and Jansch to do their high-wire act on vocals and guitar. One of their finest all-around albums.

AKA's 1970 debut album Do What You Like combines earthy, heavily buzzing, and fuzzed-out rock monuments in the vein of classic UK and US bands with a few tunes in the Continental European heavy rock style, with big chorus lines and a bit of a pop thrown in for good measure, plus great melodic ballads and pop tunes in their native Indonesian language. The Indonesian band carried their trademark sound through whole recording career, including Reflection, their second album, originally released in 1971 and reissued here for the first time. Different melodies and titles but the same wild crossover of styles, with a change between each and every song. Lush epic ballads, powerful heavy rock, a great beat tune with a flowery feel that drags you straight to the dancehall, and another epic and utterly heavy blues rock and psych freak-out…

John Surman's debut as a leader for ECM is an atmospheric solo set that utilizes overdubbing (although leaving space for unaccompanied solo sections). Surman performs eight of his moody and often-introspective originals, playing soprano, baritone, bass clarinet and synthesizers. Fortunately there is enough variety in this generally quiet music to hold one's interest.

Hibiscus Biscuit’s brand of psychedelic rock cavorts about between driving syncopated breakdowns, Melancholic lullabies and tight upbeat groove sections. Coupled with an immersive live experience headed by frontman Ricardo Moreira, their music is most likely to induce tears of joy from your third eye. Hailing from Portugal, Australia and Canada, members Ricardo, Sy, Jason and Aidan can usually be found lurking in back alleys after their shows.
A few years after the bands chance conception in Newtown’s Camperdown Park, 'Reflection of Mine' was conceived in the band's new home studio in the Blue Mountains. Cue a depraved 6 months avoiding the sunlight, and they emerge with their debut record and a brand new caffeine addiction…

Hank Jones - Upon Reflection, The Music Of Thad Jones (1993) {Verve–Gitanes 314514898-2}
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© 1993 Verve / Gitanes | 314 514 898-2
Jazz / Bop / Post Bop / Piano

This recording is dedicated to the memory and compositions of the late trumpeter/composer Thad Jones, younger brother to pianist Hank Jones, older brother to drummer Elvin Jones. Out of print in the U.S. 1994 release from the Jazz piano great finds Hank, alongside George Mraz and brother Elvin, paying tribute to his younger brother, the late trumpeter Thad Jones. 10 tracks including 'Thad's Pad', 'Lady Luck' and 'Mean What You Say'.