In a remarkable career spanning six decades, singer-songwriter Paul Simon has amassed 9 Grammy awards and has been inducted into the Rock and Roll Hall of Fame twice, first as a member of Simon & Garfunkel, then in 2001 as a solo performer and composer. Encompassing nine studio albums - all contained herein - Simon's catalogue is one of the most diverse, literate, adventurous, and musically rich in all of popular music. Simon is an American treasure, and this awesome collection celebrates his ever-growing legacy.
During the early '90s, Phish emerged as heirs to the Grateful Dead's throne. Although their music was somewhat similar to the Dead's sound – an eclectic, free-form rock & roll encompassing elements of folk, jazz, country, bluegrass, and pop – the group adhered more to jazz-derived improvisation than folk tradition.
Phish put on one of the most epic live show runs in history last summer when they booked 13 nights at New York’s iconic Madison Square Garden. With two sets a night for a total of 26 unique setlists, the jam legends ended up playing a whopping 237 songs without ever repeating themselves. Now, each and every song they baked up can be taken home with you in the newly announced The Complete Baker’s Dozen Box Set.
How many Jamaican-born bluesmen recorded with John Lee Hooker and toured with Otis Redding? It's a safe bet there was only one: Eddie Kirkland, who engaged in some astonishing on-stage acrobatics over the decades (like standing on his head while playing guitar on TV's Don Kirshner's Rock Concert). But you would never find any ersatz reggae grooves cluttering Kirkland's work. He was brought up around Dothan, Alabama before heading north to Detroit in 1943. There he hooked up with Hooker five years later, recording with him for several labels as well as under his own name for RPM in 1952, King in 1953, and Fortune in 1959. Tru-Sound Records, a Prestige subsidiary, invited Kirkland to Englewood Cliffs, New Jersey in 1961-1962 to wax his first album, It's the Blues Man! The polished R&B band of saxophonist King Curtis intersected with Kirkland's intense vocals, raucous guitar, and harmonica throughout the exciting set.
Massive 10 CD boxset celebrating the legacy of the Philadelphia International label and the unforgettable music released from the early '70s up through the early '80s. Philadelphia International expert Ralph Tee compiled this boxset for the label following his previous ground-breaking 14 x vinyl LP box set in 1986. This time, Ralph has the added benefit of a further 25 years of experience studying the Philadelphia International operation and a lot more time to play with: almost 800 minutes or over 131/2 hours of pure quality music from one of the greatest labels of all time. Also included within the package will be a 60 page full-size booklet containing full sleeve notes and track details from Ralph Tee, which will also include a number of archive photos and key album scans. Harmless.
First ever live album from Khruangbin recorded over two nights at Lincoln Hall in Chicago. The six songs last almost 40 minutes and include the 11 minute plus centrepiece People Everywhere. The Houston-based almost instrumental trio craft a unique, psychedelic vibe that hangs between continents and eras. Their sound is sprinkled with snippets of spoken word, faint vocal melodies, and ranging and impeccably performed guitar solos. It's super relaxed, smouldering and full of motionless contemplation - even in a live situation. Simply stunning.
Santa Esmeralda was formed in 1977 by French producers Nicolas Skorsky and Jean Manuel de Scarano, songwriters who had launched their own label with the aim of producing artists who would record their compositions. Upon meeting singer, Leroy Gómez, in Paris, the duo recruited him for the group's first record, "Don't Let Me Be Misunderstood," which debuted on the independent French label, Fauves Puma. A sudden success in Europe, the record was picked up for worldwide distribution by Casablanca Records.