Regine Crespin

The now-retired Régine Crespin is easily the greatest soprano voice to come out of France since World War II, notable not just for its body and luster but for such an effortless sense of line that you're never aware of the individual notes, only the overall musical idea they're meant to create. This was recorded a bit late in her career and some wobble is apparent. But her characterization of the words–so important in Ravel's precise animal portraits in Histoires Naturelles–is peerless. Too bad that the Satie songs–in terms of quality–veer between serious endeavors and cabaret toss-offs. The disc is filled out by Crespin's performance of Beethoven's concert aria Ah! Perfido, which illustrates why she was a formidable Tosca in her day.

2017 is the tenth anniversary of the passing of the 20th Century’s most famous tenor – Decca marks this occasion to marvel once again at the sheer quality of the voice of ‘The People’s Tenor’ with a 101-disc collection presenting every role he ever recorded and performed. Every role since his debut recording of La Boh?me in 1961 is included, allowing critics, collectors and opera lovers once more to appreciate his truly exceptional gifts. Every single opera is presented in the best possible audio quality, remastered at Abbey Road under the supervision of former Decca engineers.

Some have likened Herbert von Karajan's "chamber-music approach" to Wagner's Ring cycle in terms of his scaling down or deconstructing the heroic roles. This approach has less to do with dynamics per se than it does with von Karajan's masterful balancing of voices and instruments. He achieves revelations of horizontal clarity, allowing no contrapuntal strand to emerge with an unwanted accent or a miscalibrated dynamic. The texts are unusually pinpointed and distinct, although the singers don't convey the experience and dimension of Sir Georg Solti's cast on London. There are exceptions.

French soprano Patricia Petibon is known for recordings with ambitious, original programs, spaced several years apart. This is one of her most ambitious, and one of her best, even if some might find it a bit outrageous. Petibon approaches the French art song of the late 19th and 20th centuries from the perspective of popular song, suggesting that the boundary is blurry (noncontroversial in itself), and adding a few songs by Léo Ferré, the vastly underrated older contemporary of Jacques Brel. Where things start to get wild is not with the inclusion of popular songs, or even with the heavy emphasis on the music-hall rhythms of songs going back as far as Gabriel Fauré.

2017 is the tenth anniversary of the passing of the 20th Century’s most famous tenor – Decca marks this occasion to marvel once again at the sheer quality of the voice of ‘The People’s Tenor’ with a 101-disc collection presenting every role he ever recorded and performed. Every role since his debut recording of La Boh?me in 1961 is included, allowing critics, collectors and opera lovers once more to appreciate his truly exceptional gifts. Every single opera is presented in the best possible audio quality, remastered at Abbey Road under the supervision of former Decca engineers.