Rein Gold

Five years after the disappointing The Magazine, Rickie Lee Jones returned to form with Flying Cowboys, which shared much of the playful, childlike charm of her debut, Rickie Lee Jones, and some of the musically diffuse, lyrically ambitious form of its follow-up, Pirates. From the opening track, "The Horses," which suggested a mother's delight with her child as much as a lover's devotion, Jones reintroduced the joyous tone of her early work as well as establishing the Western theme that would run through the album - cowboys, rodeos, horses, deserts - without adding up to an actual storyline. The easy rhythms and lazy, flexible singing on the first few songs were reminiscent of Laura Nyro's work with Labelle on their Gonna Take a Miracle album, after which Jones branched out into reggae and folk-blues, coming up with an affectionate bluesman voice on "Ghost Train"…

In their eight-year existence, Ekseption came as close as any group from the European continent ever did to stealing the thunder of early classical rock outfits such as the Nice and rivaling the early work of Emerson, Lake & Palmer. In Holland, they charted singles based on classical compositions and released successful concept albums, and were – along with Focus – the top progressive rock band in the Dutch-speaking world. The group's roots actually go back to 1958 and a Haarlem-based band called the Jokers, formed by Hans Alta (bass), Tim Griek (drums), Rein van den Broek (trumpet), and Huib van Kampen (guitar, saxophone), who specialized in covers of American rock & roll…

True believers in the prog rock gospel don't really need to know anything about this disc beyond the fact that it's a solo album by Yes, Asia, and GTR alumnus Steve Howe. Prog rock agnostics will be a bit more wary, but may take comfort from the power-trio instrumentation and from the presence of bassist Tony Levin, who is the very Buddha of taste and professionalism…