Originating from the great Tomorrow's Gift via a complex transition that included the bands Release Group (also featuring Uli Trepte), Kickbit Information and Dennis, Release Music Orchestra (known as RMO for short) took a logical step from the Tomorrow's Gift masterpiece Goodbye Future being the same talented keyboards, bass and drums trio, supplemented by the distinctive winds player Norbert Jacobsen. "Bremen 1978" is the first official live release from these German Krautrock/jazz stalwarts that's a relaxed jazz/rock album much easier going in tone than the music of their earlier years. All instrumental tracks that owe much to the music of bands like Egg and Soft Machine.
Out of the ashes of Tomorrow’s Gift, came Release Music Orchestra (RMO for short), who consisted of Tomorrow’s Gift’s remaining nucleus plus wind-instruments player Jacobsen. … Their Jazz Rock resembles much what was then done in Germany, such as Passport, Thirsty Moon, Kraan, Aera, etc. RMO was never a stable group and many line-up changes occurred with keyboardist Rürup remaining the sole original member throughout their 5-album career … Their sound grew, as was often the case in those days, more commercial and streamlined with each new album, sounding more and more like US Fusion Jazz of the late '70s.
One of the outlets for bassist Charlie Haden's multifarious musical interests is the politically charged, progressive Liberation Music Orchestra. In July 1992, the Orchestra - a powerhouse of some of the top names in jazz - brought the collaborative sound of their album Dream Keeper to the Montreal International Jazz Festival. The African National Congress anthem, 'Nkosi Sikelel'I Afrika,' opens the program and sets the tone, with a blistering solo from the alto sax of Makanda Ken McIntyre and a more reflective one by tenor giant Joe Lovano.
The Brain Box is the first deluxe collection celebrating the Hamburg based label who paved the way for many Krautrock and German Psych artists. Limited to 3300 units worldwide, and containing 83 tracks on 8 cd's, a 74 page hardcover book, a Brain records tote bag, and all housed in a green linen wrapped box. CD's 1-6 feature artists like Guru Guru, Cluster, Jane, Embryo, Harmonia and more. CD's 7-8 contain music the from Brain Festivals in Essen during 1977 and 1978.
There is no shortage of recordings of this, Handel’s most popular orchestral work. It has been proffered in renditions with ensembles large and small, and warmly embraced by both period- and modern-instrument enthusiasts. There are even recordings of excerpts arranged early in the 20th century for “modern” symphony orchestra by the eminent Irish conductor and composer Sir Hamilton Harty. It was in this last incarnation that most of us baby boomers first encountered Handel’s marvelous creation. One of the interesting points found on this release comes in scans 11 and 12. They are the original versions—pitched in the key of F—of two movements usually performed as part of the sequence of pieces in D. Mackerras includes both the original and revised movements in their appropriate spots. I prefer Handel’s originals, as they bring down the curtain on the set of pieces in F with more of a feeling of finality than the D-Minor movement that usually rounds out the suite…
– Michael Carter, Fanfare