Cult underground psychedelic 60's legends from Switzerland related to Toad, Brainticket, Deaf, and Les Sauterilles . This is their one and only album from 1969, containing a wide range of psychedelic and progressive styles. With dark passions and melancholic moods "Hey Mr Holy Man" is outstanding. This issue has three bonus tracks, two from a rare compilation LP, and one from an even rarer split single from 1968.. Sinister artwork illustration is the first record cover work of H.R. Giger.
Cult underground psychedelic 60's legends from Switzerland related to Toad, Brainticket, Deaf, and Les Sauterilles . This is their one and only album from 1969, containing a wide range of psychedelic and progressive styles. With dark passions and melancholic moods "Hey Mr Holy Man" is outstanding. This issue has three bonus tracks, two from a rare compilation LP, and one from an even rarer split single from 1968.. Sinister artwork illustration is the first record cover work of H.R. Giger.
Cult underground psychedelic 60's legends from Switzerland related to Toad, Brainticket, Deaf, and Les Sauterilles . This is their one and only album from 1969, containing a wide range of psychedelic and progressive styles. With dark passions and melancholic moods "Hey Mr Holy Man" is outstanding. This issue has three bonus tracks, two from a rare compilation LP, and one from an even rarer split single from 1968.. Sinister artwork illustration is the first record cover work of H.R. Giger.
It makes no bones about it in the packaging so it would be churlish to get upset, but this collection of first album-era stereo mixes and alternate versions is strictly for Procol Harum collectors only. The ten-track CD has previously unissued stereo mixes of five songs from the Procol Harum album; an instrumental version of "Pandora's Box," date of original recording not given (good distorted guitar and organ dueling, though); "previously unissued alternate stereo mixes" of "Wish Me Well," a song from the Shine on Brightly album, and the single "In the Wee Small Hours of Sixpence"; a long version of "Repent Walpurgis," another song that appeared on Procol Harum; and the alternate stereo version of "A Whiter Shade of Pale."
2CD deluxe expanded & remastered edition! Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1968 self-titled debut album by PROCOL HARUM. Released in January 1968, the record followed on from the huge international success of the band's debut single A Whiter Shade of Pale and the follow up single Homburg. One of the finest releases of the era Procol Harum captured the exquisite song writing of Gary Brooker and Keith Reid and the excellence of the musicians in the group, namely Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ). The overall result was a collection of songs that would prove to be truly ground breaking, despite only having being released in Mono at the insistence of producer Denny Cordell.
Procol Harum's debut album is amazingly engaging, considering that it was rushed out to capitalize on the hit title track. The material was all already written (before the hit, in fact), but the group recorded the LP in just two days, simply to get a long-player out, and came up with one of the more pleasingly straightforward releases in their history. The range of sounds here is the widest ever heard on one of the group's albums – "A Christmas Camel" isn't that far from the old Paramounts, the group tackling a sound inspired by Bob Dylan (and derived specifically from his "Ballad of a Thin Man"), while "Salad Days" and "Kaleidoscope" are hard-driven psychedelic rockers, stripped down to the basics, with no pretensions.
With its pop adaptations of Bach and its album with the Edmonton Symphony Orchestra, Procol Harum was an early advocate of a marriage between rock and classical music. So, this album of Procol Harum music recorded by the London Symphony Orchestra, the London Philharmonic Orchestra, and (on the title track) the Sinfonia of London, with former Procol Harum vocalist/pianist Gary Brooker singing on seven of the 12 tracks and producing, and with former Procol Harum guitarist Robin Trower and organist Matthew Fisher appearing on a version of "Repent Walpurgis," would seem like a more comfortable combination than similar recent collections devoted to the Rolling Stones and Yes…
Procol Harum's debut album is amazingly engaging, considering that it was rushed out to capitalize on the hit title track. The material was all already written (before the hit, in fact), but the group recorded the LP in just two days, simply to get a long-player out, and came up with one of the more pleasingly straightforward releases in their history…
Procol Harum's self-titled, debut album bombed in England, appearing six months after "A Whiter Shade of Pale" and "Homburg" with neither hit song on it…
Procol Harum's debut album is amazingly engaging, considering that it was rushed out to capitalize on the hit title track. The material was all already written (before the hit, in fact), but the group recorded the LP in just two days, simply to get a long-player out, and came up with one of the more pleasingly straightforward releases in their history. The range of sounds here is the widest ever heard on one of the group's albums – "A Christmas Camel" isn't that far from the old Paramounts, the group tackling a sound inspired by Bob Dylan (and derived specifically from his "Ballad of a Thin Man"), while "Salad Days" and "Kaleidoscope" are hard-driven psychedelic rockers, stripped down to the basics, with no pretensions.