On their second album since their 2005 reunion, synth pop pioneers Orchestral Maneuvers in the Dark rekindle the spirit of two new wave classics, the first being their own "slept on" masterpiece from 1983, Dazzle Ships, an album that pushed the boundaries sonically. From the blippy, robotic, and almost musique concrète opener "Please Remain Seated" to the geometric sleeve that credits DZ designer Peter Saville with Executive Art Design, English Electric carries on the pop-meets-avant-garde spirit of that fan favorite album. It gives up a love song like "Night Café" that's so glossed and polished that it could be used in a John Hughes film, and then it offers an edgy swerve like "Decimal," where answering machine messages, countdowns, and other disembodied voices provided some kind of silicon chorus that's equally majestic and precise…
On their second album since their 2005 reunion, synth pop pioneers Orchestral Maneuvers in the Dark rekindle the spirit of two new wave classics, the first being their own "slept on" masterpiece from 1983, Dazzle Ships, an album that pushed the boundaries sonically. From the blippy, robotic, and almost musique concrète opener "Please Remain Seated" to the geometric sleeve that credits DZ designer Peter Saville with Executive Art Design, English Electric carries on the pop-meets-avant-garde spirit of that fan favorite album. It gives up a love song like "Night Café" that's so glossed and polished that it could be used in a John Hughes film, and then it offers an edgy swerve like "Decimal," where answering machine messages, countdowns, and other disembodied voices provided some kind of silicon chorus that's equally majestic and precise…
“Incredibles 2” is a 2018 American 3D computer-animated superhero film, produced by Pixar Animation Studios for Walt Disney Pictures. Written and directed by Brad Bird, it is the sequel to 2004’s The Incredibles. The plot follows the Parr family as they attempt to put superheroes back in the spotlight while dealing with normal life, only to combat a new foe who seeks to turn the general public against all supers. While several of the characters and voices from the previous film return, the sequel includes new characters voiced by Bob Odenkirk, Catherine Keener, Sophia Bush and Bill Wise. Michael Giacchino returned to write the score.
After Radiohead stubbornly refused to accept the mantle of world's biggest and most important rock band by releasing the willfully strange rocktronica fusion Kid A in 2000, Coldplay stepped up to the plate with their debut, Parachutes. Tasteful, earnest, introspective, anthemic, and grounded in guitars, the British quartet was everything Radiohead weren't but what the public wanted them to be, and benefited from the Oxford quintet's decision to abandon rock stardom for arcane art rock. Parachutes became a transatlantic hit and 2002's sequel, A Rush of Blood to the Head, consolidated their success by being bigger and better than Parachutes, positioning Coldplay to not be just the new Radiohead, but the new U2: a band that belongs to the world but whose fans believe that the music is for them alone…
“Electro-dance tracks that revive and remix a 1970s era remembered for a lively Iranian pop scene.” – The Guardian
A freewheeling electronic pop album that's goofy and glamorous in roughly equal measure, B/E/A/T/B/O/X is Glass Candy's first full-length as a duo, following an electro-disco makeover that has effectively cut the rock out of the group's dancepunk/no wave equation, and their first album for the disco-revivalist label Italians Do It Better…