Return to Dust

It's tempting to call District Line a return to form for Bob Mould – tempting, but not quite accurate. Mould might have started to wander into the electronic wilderness after his 1998's The Last Dog and Pony Show, a self-conscious farewell to rock & roll, but he revived his roaring guitars on 2005's Body of Song, so calling District Line a return to rock isn't right, even if its release on the maverick label Anti- suggests that this album may hark back to his Hüsker Dü years. Quite the contrary, actually: while there are plenty of guitars and molten pop hooks, Mould has yet to shake his inexplicable fixation on vocoders, and "Shelter Me" is a straight-up disco track, elements that he picked up in the years since Sugar's disbandment. Such exploration is at the heart of Mould's restless artistic spirit, a restlessness he's possessed since Hüsker – never forget that Zen Arcade was a concept album – but what's striking about District Line is that Mould sounds calmer here, even relaxed. That's not to say that he sounds complacent or that the passion has drained from his music, but for the first time he's able to mesh all his disparate musical interests into one cohesive album, one that sounds diverse yet unified.

Laila Biali masterfully mixes jazz and pop: “Already highly acclaimed in North America, with Laila Biali’s mellifluous vocals, dynamic pianism and ability for penning, hook-laden songs that reputation is surely going to flourish further afield."