Revival 1969

There was no shortage of historic rock music festivals in 1969, from highs of Woodstock to the crashing lows of Altamont. Meanwhile, interest was steadily building on another front. A full-fledged 1950s rock and roll revival was brewing, and the idiom's pioneers were experiencing a renaissance.

Q65 was a Dutch R&B-based garage rock and psychedelic group formed in 1965, that is often considered one of the more prominent bands associated with the Nederbeat rock wave that took place in the Netherlands in the 60s…

Q65 - Revival (1969)
EAC rip (secure mode) | FLAC -> tracks+.cue + log -> 360 Mb | MP3 @320 -> 149 Mb
Artwork @ 400 dpi

© 1997 Pseudonym Records Holland | CDP 1048 DD | Digitally Remastered | Bonus Tracks
Garage Rock / Rhythm and Blues / Early Psychedelic
Holland

Q65 was formed in early 1965 when guitarists Joop Roelofs and Frank Nuyens decide to start a band with singer Willem Bieler. The line-up is completed by bass player Peter Vink and drummer Jay Baar.
The band is inspired by Rhythm and Blues traditionals and the songs of Robert Johnson and Willie Dixon as well as The Kinks, The Animals and The Rolling Stones. Q65 started their performances in the Spring of 1965. During a concert at skating rink De Eenhoorn, they met producer Peter Koelewijn. Very impressed by their show, he invited them to an audition at the Phonogram studio, where they record two of their own songs: And Your Kind and You're The Victor. Koelewijn decided to release them on vinyl.

Creedence Clearwater Revival (often referred to as Creedence or CCR) was an American rock band active in the late 1960s and early 1970s which consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. Their musical style encompassed the roots rock, swamp rock, and blues rock genres. They played in a Southern rock style, despite their San Francisco Bay Area origin, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially conscious lyrics about topics including the Vietnam War…

Opening slowly with the dark, swampy "Born on the Bayou," Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound – it reveals the extent of John Fogerty's myth-making. With this song, he sketches out his persona; it makes him sound as if he crawled out of the backwoods of Louisiana instead of being a native San Franciscan…

If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity…