Rhythm And Sounds

Four CDs. Demon are proud to release Eddie Piller Presents British Mod Sounds Of the 1960s, the follow up the The Mod Revival. Featuring 100 original tracks, it's a deep dive into the Mod scene in '60s Britain. Including a selection of classic and rare tracks, tracing the scene from it's R&B roots to a soulful finale. Curated by Acid Jazz Records and Modcast founder Eddie Piller, and featuring new sleeve notes from respected author and broadcaster Paul 'Smiler' Anderson. As Eddie Piller points out in the forward to the extensive sleeve notes that accompany this collection, he chose the word 'Sounds' carefully, reflecting the variety of talent contained here, from uncool session musicians without an ounce of style in them, acts who saw an opportunity to jump on the Mod bandwagon and bands who whole heartedly embraced Mod way of life. And so this new collection mixes the Mod mainstays (Small Faces, The High Numbers, The Action, The Fleur de Lys), with a generous selection of future superstars (David Bowie, Rod Stewart, Elton John, Marc Bolan, Jeff Beck and Graham Gouldman of 10cc are all represented here), and a few artists so obscure, so rare, that they never got to release a record in the '60s, but Eddie has tracked down the tapes nonetheless. "Be in with the In Crowd once more."

The follow-up to his 2010 Grammy Award winning album Living Proof, this double-disc masterpiece features first time studio collaborations with A-list artists Kid Rock, Keith Urban, Gary Clark, Jr., Beth Hart and Aerosmith members Steven Tyler, Joe Perry and Brad Whitford. Produced by Grammy Award winning producer/songwriter and longtime collaborator Tom Hambridge (Skin Deep, Living Proof), Rhythm & Blues captures the 76 year-young Guy at the peak of his creativity. Replete with heartfelt vocals, straightforward lyrics and mesmerizing guitar licks, Rhythm & Blues not only exemplifies how blues continues to be the foundation of all genres of today's music, it also illustrates why Guy has been influential in the careers of Eric Clapton, Jimi Hendrix, Jeff Beck, Stevie Ray Vaughan and more.

The success of the 1962 Modern Sounds in Country And Western Music albums paved the way for Charles’ creative freedom as an artist. Throughout the rest of his career, he continued to show his deep affinity for country music. 1965’s Country and Western Meets Rhythm and Blues (aka Together Again) features Ray’s timeless version of the Buck Owens country standard “Together Again.” It also holds the distinction of being the first album Charles recorded in his own RPM International recording studio. While on 1996’s Crying Time album Ray delivers the definitive version of that Owens song and earned Ray the GRAMMY for Best Rhythm & Blues Solo Vocal Performance Male and recognition as Producer of Best Rhythm & Blues Recording by The National Academy of Recording Arts and Sciences. As if that weren’t enough, the album also boasts Charles #1 Billboard smash “Let’s Go Get Stoned.”

The success of the 1962 Modern Sounds in Country And Western Music albums paved the way for Charles’ creative freedom as an artist. Throughout the rest of his career, he continued to show his deep affinity for country music. 1965’s Country and Western Meets Rhythm and Blues (aka Together Again) features Ray’s timeless version of the Buck Owens country standard “Together Again.” It also holds the distinction of being the first album Charles recorded in his own RPM International recording studio. While on 1996’s Crying Time album Ray delivers the definitive version of that Owens song and earned Ray the GRAMMY for Best Rhythm & Blues Solo Vocal Performance Male and recognition as Producer of Best Rhythm & Blues Recording by The National Academy of Recording Arts and Sciences. As if that weren’t enough, the album also boasts Charles #1 Billboard smash “Let’s Go Get Stoned.”

You probably know the “Mod Jazz” drill by now: 24 cuts that have the feel of a smoky early 60s basement about them, with plenty of jazz attitude, a touch of the blues (as Bobby “Blue” Bland might have sung) and a pinch of latin spice. It’s the sort of music that makes you want to don a midnight blue mohair two-piece with some well polished Bass Weejuns and take to the dancefloor.

Over the last 20 years Hipbone Slim and the Kneetremblers have established themselves as a foremost force in the worlds of rock n roll, garage, beat, surf and all in between. They have recorded 13 highly acclaimed albums and a whole load of 45s on labels such as Voodoo Rhythm, Beast, Folc and Dirty Water. Not to mention various other related side-lines and pseudonym releases!

Four-hour, 3CD anthology of hard-edged British R&B from the genre's pivotal year. Featuring hit singles, key album tracks, cult classics and some fabulous previously unreleased recordings. While 1963 belonged to the Merseyside-led beat boom, the following year saw the emergence of homegrown R&B as market leaders The Rolling Stones were joined on the Thames Delta by a host of equally young, raw and enthusiastic British blues-hounds. The Pretty Things, The Yardbirds and Manfred Mann would all come to national prominence, but many other putative king bees - The Artwoods, Downliners Sect, early Ronnie Wood outfit The Birds - would have to settle for a more localised audience. Other hard-up heroes trying to pay the rent included The Who (as The High Numbers), Steve Marriott (as leader of The Moments) and Rod 'The Mod' Stewart (with The Hoochie Coochie Men), who all gave early notice of their developing talent to an indifferent world.

Four CD set containing eight albums from the Jazz greats: 'Introducing The Three Sounds' (1958), 'Branching Out' (With Nat Adderly) (1958), 'Introducing The Three Sounds Vol. 2' (1958), 'Bottoms Up!' (1959), 'Moods' (1960), 'Hey There' (1961), 'Here We Come' (1960) and 'Blue Hour' (1960).