Ricercar Consort

This recording includes an excellent selection from Beethoven’s many settings of Irish folksongs, with imaginative new arrangements of his accompaniments, rescored for more traditional instruments than the original piano, violin and cello. His settings are interspersed with more conventional versions of Irish and Scottish folk tunes taken from other sources. These help to highlight his remarkable ingenuity, which preserves the original character of the folksongs while elevating them to a much higher level of interest.

The Ricercar Consort is an ensemble of instrumentalists devoted to repertory largely from the seventeenth century. It is generally considered one of the foremost chamber groups in the genre of Baroque music. Active for about three decades, it has already made over 50 recordings and given countless concerts across the globe. The ensemble consists of about six members, though the number can vary to accommodate performance of small and large works. Many of its concerts and recordings, for example, involve singers, while others are strictly instrumental.

The Ricercar Consort is a Belgian instrumental ensemble founded in 1980 together with the Ricercar record label of Jérôme Lejeune.
The founding members were violinist François Fernandez, organist Bernard Foccroulle, and viola da gamba player fr:Philippe Pierlot. The initial repertoire was focussed on the German Baroque, and the Consort was closely identified with the series Deutsche Barock Kantaten. In recordings and concerts the Consort was joined by baroque specialist singers including; Greta de Reyghere, Agnès Mellon, countertenors Henri Ledroit, James Bowman tenor Guy de Mey and bass Max van Egmond, as well as the cornett player Jean Tubéry.

The Stabat Mater Dolorosa is a sequence, not a chant, and no unified melody was established for it until the mid-nineteenth century; it was even banned for a time by the Council of Trent, but restored to liturgical use in the late 1720s by Pope Benedict XIII. Much as Prohibition did not stem the tide of alcohol use, the Council of Trent's ban on the text did not diminish the popularity of the Stabat Mater. It was during the official, 160-year-long period where the Stabat Mater was not heard in churches that Giovanni Felice Sances composed the title work on this Mirare CD Stabat Mater, featuring Carlos Mena, Philippe Pierlot, and the Ricercar Consort.

The Ricercar Consort is a Belgian instrumental ensemble founded in 1980 together with the Ricercar record label of Jérôme Lejeune.The founding members were violinist François Fernandez, organist Bernard Foccroulle, and viola da gamba player Philippe Pierlot. The initial repertoire was focussed on the German Baroque, and the Consort was closely identified with the series Deutsche Barock Kantaten. In recordings and concerts the Consort was joined by baroque specialist singers including; Greta De Reyghere, Agnès Mellon, countertenors Henri Ledroit and James Bowman, tenor Guy de Mey and bass Max van Egmond, as well as the cornett player Jean Tubéry.

The Ricercar Consort is a Belgian instrumental ensemble founded in 1980 together with the Ricercar record label of Jérôme Lejeune.
The founding members were violinist François Fernandez, organist Bernard Foccroulle, and viola da gamba player fr:Philippe Pierlot. The initial repertoire was focussed on the German Baroque, and the Consort was closely identified with the series Deutsche Barock Kantaten. In recordings and concerts the Consort was joined by baroque specialist singers including; Greta de Reyghere, Agnès Mellon, countertenors Henri Ledroit, James Bowman tenor Guy de Mey and bass Max van Egmond, as well as the cornett player Jean Tubéry.

The Ricercar Consort is a Belgian instrumental ensemble founded in 1980 together with the Ricercar record label of Jérôme Lejeune.
The founding members were violinist François Fernandez, organist Bernard Foccroulle, and viola da gamba player fr:Philippe Pierlot. The initial repertoire was focussed on the German Baroque, and the Consort was closely identified with the series Deutsche Barock Kantaten. In recordings and concerts the Consort was joined by baroque specialist singers including; Greta de Reyghere, Agnès Mellon, countertenors Henri Ledroit, James Bowman tenor Guy de Mey and bass Max van Egmond, as well as the cornett player Jean Tubéry.