For this 1969 release, saxophonist Eric Kloss, exclusively on alto for the date, is joined by tenor veteran Booker Ervin, allowing the 20-year-old Kloss to demonstrate he can readily go toe to toe with the Texan's big, blustery sound, as well as work in a more impressionistic vein. The rhythm section of drummer Alan Dawson and bassist Richard Davis is effective, although Davis is not quite up to his customary brilliance.
This is Janis Ian's second album from her re-emergence in the early to mid-'70s as one of the genre's most inspired and original singer/songwriters.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Some unusual tracks; a blend of music and dialogue in parts. Hearing miles talking is cool though, not to everybody's taste. There is still some good Miles trumpet playing here. I think a worthy edition for a serious Miles Davis collector.