Richter Russian

This disc, recorded in 1992 in Moscow, does far more than reproduce just the notes that Rachmaninov wrote. It also delivers a series of performances that dig deep into the Russian soul of Rachmaninov's creations. The recording, although not the finest that I have heard, is still up to the required task.

Johannes Brahms - Elisabeth Leonskaja - Piano Concertos Nos. 1 & 2
Philharmonia Orchestra, Eliahu Inbal / Gewandhausorchester Leipzig, Kurt Masur
EAC+LOG+CUE | 2xFLAC: 400 MB | Full Artwork: 40 MB | 5% Recovery Info
Label/Cat#: Teldec # 0630-18948-2 | Country/Year: Germany 1997
Genre: Classical | Style: Romantic, Piano

Elisabeth Leonskaja is a highly respected (former Soviet) pianist whose career blossomed in the shadow of Sviatoslav Richter and Emil Gilels. Known for her modesty – not unlike older compatriot Maria Yudina – Leonskaja was mentored by Richter and often played duets with him. She would never reach the critical and artistic heights of her great teacher, but her reputation as an imaginative interpreter and formidable technician have lifted her to almost legendary status, with comparisons to Clara Haskil and other keyboard icons…

The box set comprised 100 volumes featuring 72 pianists of the 20th century, each volume with two CDs and a booklet about the life and work of the featured pianist. The set contains a variety of composers from different eras, from Baroque to Contemporary classical.

Ilja Richter was born to parents Georg and Eva Richter. Georg was a Communist, who named Ilja after the Russian journalist Ilja Ehrenburg, and Eva was a Jew who survived the Third Reich under a fake Aryan identity. Georg spent nine and a half years in the penitentiary and concentration camp during the Third Reich. After the family was in political difficulties in the GDR, they moved to West Berlin in 1953.

Anyone listening to this admirable set will gain an accurate impression of David Oistrakh’s overall playing style, his poise, composure, interpretative finesse, velvety tone and highly sophisticated musicianship. Various of the works programmed are - or have been - available in alternative Oistrakh recordings (the Tchaikovsky and Brahms concertos in around six versions apiece), but Melodiya’s selections are, in general, judiciously chosen.

Sony Classical presents a new reissue of all the recordings that Charles Munch, one of the most dynamic and charismatic conductors of the 20th century, made for RCA Victor while in Boston conducting the Boston Symphony Orchestra. Munch turned the BSO into arguably the greatest French orchestra in the world while preserving its sovereignty in the American, Austro-German, central European and Russian repertoires. An 86-CD box set, The Complete Album Collection marks the first time that this cornerstone of the classical catalogue has been available in a single box with 16 works new to CD and 29 works newly remastered from the original analogue tapes.

Sony Classical presents a new reissue of all the recordings that Charles Munch, one of the most dynamic and charismatic conductors of the 20th century, made for RCA Victor while in Boston conducting the Boston Symphony Orchestra. Munch turned the BSO into arguably the greatest French orchestra in the world while preserving its sovereignty in the American, Austro-German, central European and Russian repertoires. An 86-CD box set, The Complete Album Collection marks the first time that this cornerstone of the classical catalogue has been available in a single box with 16 works new to CD and 29 works newly remastered from the original analogue tapes. The new set also contain Munch s 1963 French-music compilation with the Philadelphia Orchestra for American Columbia.

This disc opens with the seldom-heard Variations on a Russian Theme that five composers wrote to honor the conductor Nikolai Galkin. It is an attractive theme that is wittily scored by the five. Only Sokolov took the task seriously, but all five provided a rousing work.