Riding With The King Audio Fidelity

The potential for a collaboration between B.B. King and Eric Clapton is enormous, of course, and the real questions concern how it is organized and executed. This first recorded pairing between the 74-year-old King and the 55-year-old Clapton was put together in the most obvious way: Clapton arranged the session using many of his regular musicians, picked the songs, and co-produced with his partner Simon Climie. That ought to mean that King would be a virtual guest star rather than earning a co-billing, but because of Clapton's respect for his elder, it nearly works the other way around. The set list includes lots of King specialties - "Ten Long Years," "Three O'Clock Blues," "Days of Old," "When My Heart Beats Like a Hammer" - as well as standards like "Hold on I'm Coming" and "Come Rain or Come Shine," with some specially written and appropriate recent material thrown in, so King has reason to be comfortable without being complacent…

This unusual compilation from the Kool Jazz at Midem Festival combines parts of three separate sets. The Dave Brubeck Quartet with clarinetist Bill Smith, bassist Chris Brubeck and drummer Randy Jones, has the most interesting program, utilizing an electronic delay along with Smith's clarinet to add a new touch to "Lover Man," offering an energetic version of "Blue Rondo a la Turk" and introducing a recent work by Brubeck, the very swinging "Ol' Bill Basie" which showcases some fine playing by the leader and some choice bass trombone by son Chris. Guitarist Pat Metheny joins the Heath Brothers for "Move To The Groove; " Metheny's bluesy guitar and Jimmy Heath's soulful tenor sax work well together. B. B. King's set is at best average and an odd choice to include on what is predominantly a jazz record.

Sweet Baby James (1970). James Taylor's second album, Sweet Baby James, released in early 1970, is the album that secured his spot among the most important songwriters of the 70s. The sweet, bluesy acoustic guitar and vocals on this album are authentic and interesting - this is a record that has everything from a blues inspired jam, packed with a big band horn section ("Steamroller Blues"); to a gospel revival-like track ("Lo And Behold"); to a traditional nursery rhyme made into a folk ballad ("Oh, Susannah"). And, of course, the album featured "Fire and Rain," which reached #3 on the Billboard Hot 100. "Country Road" was another Top 40 hit that struck a chord with music fans, especially because of its attractive mixture of folk, country, gospel, and blues elements, all of them carefully understated and distanced…

The Top 100 '80s Rock Albums span a series of genres as startling and varied as the era's neon-flecked fashions.No one was immune to the early-decade emergence of new wave, from up-and-coming acts to legacy groups – many of whom began incorporating the then-new sound into their bedrock approach.Meanwhile, classic rock and subsequently metal began a transformation into mass acceptance when the edges were smoothed out to form arena rock and hair metal, respectively. The arrival of roots, thrash, and world music influences kept things interesting, along the way. All of it made selecting the period's best releases both intriguing and deeply challenging.Check out the list below, as Ultimate Classic Rock takes a chronological look at the Top 100 '80s Rock Albums.