Ernest Ansermet enthusiasts will be thrilled by the items chosen for inclusion in this six-disc set dedicated to the Swiss conductor with L'Orchestre de la Suisse Romande, the orchestra he founded and led. Many of them are first international CD releases – Haydn's Symphony No. 22, Beethoven's Symphony No. 4, and Sibelius' Symphony No. 4, along with nine others – while some of them are well-known and well-loved recordings from the conductor's huge catalog – Stravinsky's Pulcinella Suite, Ravel's Le tombeau de Couperin, and Honegger's Le roi David, along with 14 others.
In the late 1940s, the pioneering Decca recording engineers perfected a new set of microphone techniques that allowed the full range of frequencies to be fully heard by listeners for the first time, and the term ‘full frequency range recording’ was launched. It was a major revolution in sound quality, and the beginnings of high fidelity.
Great Conductors of the 20th Century is a joint venture between the production and licensing expertise of IMG Artists and the international marketing and distribution clout of EMI. Sixty volumes were planned with hopes for even more. Unfortunately, though, perhaps reflecting our leaner climate for classical projects, the producers now advise that only forty will be issued.
Notes from the Booklet: ….. Lipatti's star still shines on us today, and its light is brighter than ever. The reasons are not all strictly musical. "The greatness of the early genius", "the Saint amongst pianists", and other adulatory haloes are still uttered today, obscuring the truth more than anything else. Such misunderstandings emanate from his very limited discography, which led some critics to conclude that Lipatti had learned and mastered but two piano concertos and one recital. The truth is rather different, however: Lipatti performed in public 23 different works for piano and orchestra, and his repertoire contined six complete piano recital programmes. A separate list in this booklet show how extensive his repertoire really was….." [lines by Marc Gertsch/Werner Unger and translated by Mark Ainley]
Maurice Gendron (December 26, 1920, near Nice – August 20, 1990, Grez-sur-Loing) was a French cellist and teacher. He is widely considered one of the greatest cellists of the twentieth century.
He recorded most of the standard concerto repertoire with conductors such as Bernard Haitink, Raymond Leppard, and Pablo Casals, and with orchestras such as the Vienna State Opera Orchestra, the London Symphony Orchestra, and the London Philharmonic Orchestra.