Argent's back catalog remains in a parlous state 20 years on from the group's peak, with great swathes of the repertoire unavailable on CD, and even some of the band's best-known and loved recordings are still chained up in a vault somewhere. Thankfully, this two-fer rendering of their first two albums is an exception to that sorry rule, as the group's transformation from the logical successors to the Zombies into one of the finest prog bands of the early '70s is traced out across 19 songs, almost any of which would be a shoo-in for some future "best-of" Argent compilation. It is true, of course, that Argent was prone to excess on occasion – what is remarkable is just how naturally the band approached that state, as songs build on their own momentum toward peaks that even the best oiled of the group's peers audibly struggled to approach.
The Danish DJ, composer and producer Katrine Ring is one of the few DJs at the international level who has specialized in classical music. On this album she remixes and deconstructs a number of chamber concertos by the composer Vagn Holmboe in a musical game of hide-and-seek that breathes new life into the works in a constant play of memory and recognition. The original recordings by the Danish National Chamber Orchestra and the conductor Hannu Koivula are included as a bonus CD.
While virtually unknown in the U.S., pop singer Jennifer Rush achieved superstar status as an expatriate in Europe, selling millions of records and releasing a string of hit singles notable for their booming, dance-rock arrangements and Rush's powerful voice. Born Heidi Stern in New York City, Rush's father was an opera singer and her mother was a pianist. At the age of nine, she moved to Germany with her family, returning in her teens to the States. In 1982, she returned to Germany with her father to pursue a singing career, signing a deal with CBS/Columbia. Changing her name to Jennifer Rush, she released a series of songs that made her a star in Europe, including "Into My Dreams," "Come Give Me Your Hand," "25 Lovers," and "Ring of Ice."
In the spring of 2021, Ring van Möbius was approached by performer and choreographer Harald Beharie to write the music for his next solo performance. This honorable task started a collaborative process involving various artists with different artistic expressions, culminating in January 2022 with the premiere of “Batty Bwoy” in Dansens Hus in Oslo, Norway. The project was soon nominated for the Norwegian Critics Association Prize 2022.
“This album, however, is not the actual soundtrack for the finalized commissioned work itself, rather a reflection of the early visions; spontaneous reactions and a starting point for further collaboration” according to the band, “Being an independent body of work based on our early initial musical ideas, this can be referred to as loosely inspired by, but not limited to, the original concept by Harald Beharie”…
This eponymous album is the first (and probably only) to document the music of the late-'60s psychedelic rock group My Indole Ring. A local legend in Vancouver, Canada, back in 1967-1969, the quartet did not even release a single but, 25 years after the fact, this CD presents demos and live recordings that were all previously unavailable. Judging from this hour's worth of material, My Indole Ring definitely had something going. The set kicks off with "Orange Float Petals," an impressive acid rock song that became the group's signature tune. Full of instrumental quirks and imaginative vocal harmonies, this one is anthology material. "Love People Everywhere," "Blue Wax," and the instrumental "Silk Road" are satisfying but more generic numbers. The influences of West Coast (Jefferson Airplane) and Vancouver groups (Papa Bear's Medicine Show) are detectable…
Hailing from Kopervik, Norway, Ring Van Möbius is finally ready to unleash their debut album "Past The Evening Sun". With Hammond Organ, bass, drums and a good dose of nostalgia, the Norwegian power trio Ring Van Möbius plays 70s prog rock inspired by bands like Van Der Graaf Generator, King Crimson and ELP. The fact that you can’t find a guitarist in the band will probably surprise you, but at the same time they strive to create their own, and somewhat untraditional sound, which spans from the delicate and comfortable to outright madness and abstract soundscapes.
Analog puritists Ring Van Mobius are known for being true to the original progressive rock philosophy, combining '60s/'70s instruments with the vintage art of tape recording, adding their own touch of musical creative madness. The Norwegian trio delivers their second album 'The Third Majesty' in mesmerising manner - a Hammond-driven progressive pearl which could just as easily have been released in 1971 as in 2020.