An often stirring folk/blues guitarist and vocalist, Roy Book Binder has been playing country blues since the mid-'60s, when he began recording for Blue Goose. Greatly influenced by Rev. Gary Davis and Pink Anderson, Book Binder played in East Coast coffeehouses in the early '60s, then began accompanying Rev. Davis on tours in the mid-'60s. He also played with Larry Johnson, Arthur "Big Boy" Crudup, and Homesick James.
Dennis Binder, pianist, vocalist and composer originally from Rosedale, Mississippi, has been an active member of the blues community for over 50 years. As a young man, Dennis refined his technique and music knowledge in Chicago….
The production and video direction are by British film-maker Ken Russell who puts his own stamp on the production. Russell told an interviewer he felt the plot was "silly" so he turned Marguerite into a young nun, eliminated the Walpurgis Night ballet, had Marguerite use sign-language for Valentin's deaf-mute children, and had Mephistopheles disrespectfully urinating in the stoup in church. However, the overall effect is visually engrossing, the vivid sets and costumes by Karl Toms are effective. And the singing is outstanding.
The line between sincere appreciation and blind imitation is a thin one, and too often contemporary blues or country musicians cross it when covering classic songs. Roy Book Binder avoids the problem by refusing to become overwhelmed by idolatry, and instead enjoying himself while doing vintage material. That was evident on the 12 songs that comprised this session. While Book Binder's convivial vocals made his versions of Jesse Thomas' "Friend Like Me," Merle Haggard's "Nobody Knows I'm Hurtin," or Jimmie Rodgers' "Waiting for a Train" appealing, his guitar solos and band interaction gave the songs a vital, modern kick.