Riot v Live in Japan 2018

AFM Records is proud to bring this live concert to the screen (and stereo) of heavy metal fans around the world. Riot (now named Riot V) have been a household name in the scene for over four decades and without a doubt left their mark, inspired countless emerging bands and artists worldwide and are still hungry for more…

Musically, RIOT V have bestowed on us a small history lesson in their brand new studio album “Armor Of Light” tracing right back to their roots, and for fans of the legendary “Thundersteel” album from 1988 - their mouths will already be watering at the prospect! For the new record, the band has brought everything to the table that has distinguished RIOT since the very beginning, venerating their 1988 classic’s 30th anniversary on the highest level. Enthusiasts can expect aggressive songs, but perfectly formed in the enthralling melodies.

A venerable New York City-born heavy metal outfit that found success in the 1980s via their driving blend of arena-ready hard rock and anthemic power metal, Riot's popularity waxed and waned with the changing musical tides over the years, but they maintained a sizeable fan base overseas, especially in Japan, where they remained a huge draw well into the 2010s. Founded in 1976 under the leadership of guitarist/songwriter Mark Reale – the band's sole constant member – Riot is known for their strong melodies and technical acumen, and for the distinctive baby seal face that adorned nearly all of their album covers – the mascot is affectionately referred to as "Johnny." Since becoming active in the late 1970s, Riot has released nearly 20 studio LPs, with highlights arriving via Fire Down Under (1981), Thundersteel (1988), and Immortal Soul (2011). After Reale passed away in 2012, the surviving members began operating under the moniker Riot V…

"I was born on these streets, years ago/I was the king of the neighborhood," sings vocalist Tony Moore during "Bloodstreets." Such a line probably revealed the sentiment of guitarist Mark Reale perfectly, and it also encapsulates the mood of Thundersteel. A comeback album after several years of inactivity, this 1988 album is an unheralded classic…

There were a lot of heavy metal bands in the 1980s and there were a lot of pop bands too; there weren't many who combined the two styles as well as Def Leppard did. This is a statement that the simply titled The CD Collection, Vol. 1 proves over and over during the course of its playing time. Made up of the four albums the band released during the 1980s, a live show recorded in 1983 (which was issued as part of the deluxe edition of Pyromania), a disc of B-sides and rarities, and a mini-disc of the band's self-titled 1979 EP, the set is filled with razor-sharp riffs, hooky choruses, thudding backbeats, inferno-hot guitar soloing, keening vocal harmonies, and the inimitable yelp of singer Joe Elliott as it runs through their early career.

Having cut his teeth playing bass guitar for English blues outfit Chicken Shack in the early '70s, Bob Daisley is an Australian musician and songwriter most prominently known for his work with Ozzy Osbourne and Gary Moore. Some of his most widely known work can be heard on albums such as Osbourne's 1980 debut solo effort Blizzard of Ozz and several of Moore's releases. Born in Sydney, Australia in 1950, Daisley took up bass guitar at age 14 and excelled at the instrument quickly, catching the attention of local rock musician Dennis Wilson (Mecca, the Powerpact). The pair went on to form the band Kahvas Jute and released one album – Wide Open - via Infinity Records in 1971.

Duke Ellington - Ellington At Newport 1956 Complete (1956) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4007~8}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 700 Mb | MP3 @320 -> 297 Mb
Full Artwork @ 600 dpi (png) -> 312 Mb | 5% repair rar
© 1956, 2014 Columbia / Sony Music Japan | SICP 4007~8
Jazz / Big Band / Swing / Progressive Jazz

Reissue with the latest remastering. Comes with liner notes. One of the first albums to ever issue recordings made at the Newport Jazz Festival – quite a big hit, and the beginning of a real trend in jazz! The set's also some great work by Duke – free to perform in a setting that's not bound by some of the time restrictions of earlier years, which lets him offer up three long tracks with a great deal of sophistication over previous recordings. Due to bad mike placement on stage, the original "live" album was actually a studio re-creation; the actual live performance was never issued-until now. This 2-CD set contains the complete original album and the hour-plus concert. More than 100 minutes of new music, and the whole thing's in stereo for the first time!

Skid Row get harder and heavier on their sophomore effort, matching Sebastian Bach's gritty, streetwise rants to lean, driving riffs that manage to back up all the attitudinal posturing. Largely missing are the bits of pop-metal fluff that filled out Skid Row; in their place are tales from the dark side about drugs, corruption, and the like, with Bach affecting a tough, threatening persona most of the time…