Rob Papen

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

You've spent hours on your track? Working and reworking every part to bring your musical vision to life. And you know that the quality of your reverb can be the difference between the rich sounding mix you're after and one that comes off as flat and artificial.

When it was first released in 2005 ‘BLUE’ already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach toward developing virtual synthesizers. Rob Papen himself called it ‘Cross-fusion synthesis’ because it covered both Subtractive and FM synthesis in one creative concept. With its successor BLUE-II, the ‘Cross-fusion synthesis’ was also expanded with a creative range of samples and the highly versatile XY pad.

You've spent hours on your track? Working and reworking every part to bring your musical vision to life. And you know that the quality of your reverb can be the difference between the rich sounding mix you're after and one that comes off as flat and artificial.

You've spent hours on your track? Working and reworking every part to bring your musical vision to life. And you know that the quality of your reverb can be the difference between the rich sounding mix you're after and one that comes off as flat and artificial.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.

In the virtual music world there are a countless number of different EQ’s available…so why another one? Well, Rob Papen is all about sound and he was convinced he could add something special to the EQ plugins.

PRISMA provides the Rob Papen ‘sound garden’ with ways of providing terrific tone colors by combining Rob Papen plugins into a single ‘prismatic’ sound source. Powerfully, PRISMA stores those combined software instruments and all their respective settings as a single preset. Seriously smart features of note include individual VELOCITY or KEYB. RANGE (keyboard range) split layers for creative combinations.

First released in 2005 BLUE already reflected Rob Papen’s cutting-edge, creative, and — most importantly — musical approach towards developing virtual instruments by first delivering FM and subtractive synthesis, then duly adding Phase Distortion and wave shaping synthesis into the highly creative mix to create one seriously creative combination. Rob Papen himself called it ‘Cross-fusion synthesis’ since it covered so much musical ground so effectively.