Robbery 1967

Based on Donald E. Westlake's novel The Hunter, John Boorman's gangster film hauntingly merges a generic revenge story with a European art cinema sensibility. In Alcatraz to divvy up the spoils from a robbery, thief Walker (Lee Marvin) is instead shot point blank by his double-crossing friend and left to die while Reese takes off with Walker's wife and his $93,000. Resurrected, the stone-faced Walker returns to Los Angeles a couple of years later to seek revenge on Mal with the help of the enigmatic Yost (Keenan Wynn) and Lynne's sister Chris (Angie Dickinson). Brutal in the violence that it shows and suggests, Point Blank opened in the U.S. in the same period as Bonnie and Clyde, becoming one more testament to the genre-bending and ground-breaking possibilities of the nascent Hollywood New Wave. Although Point Blank was mostly overlooked in 1967, Boorman's visual adventurousness, and Marvin's amoral and apathetic antihero, have since made Point Blank seem one of the key films of the mid-late '60s, a precursor to revisionist experimentations from Martin Scorsese to Quentin Tarantino. It was remade as the 1999 Mel Gibson vehicle Payback.

Collection of all recording done by the USA psychedelic/garage band from the mid-late 60's. It contains the complete album + all singles + and rare compilation track.

In music and the world at large, and especially here in Canada, the year 1967 has a special resonance. At home the country was celebrating its 100th birthday, a young and charismatic Pierre Trudeau was on his way to changing Canada’s political landscape while his hometown Montreal attracted the world’s attention with the hugely popular and exuberant Expo ’67 World’s Fair. Excited and exciting, to say that Canada was rockin’ in 1967 would be an understatement, a young country just coming into its own.