Robert Fried

This is Robert Fried's third book on the crucial role of breathing and hyperventilation in our emotional and physical health. The first, The Hyperventilation Syndrome (1987), was a scholarly monograph, and the second, The Breath Connection (1990a), was a popular version for the lay reader. This book combines the best features of both and extends Dr. Fried's seminal work to protocols for clinical psychophysiology and psy­ chiatry.

And we're certainly glad he did! We're confident you're familiar with the tremendous impact of songwriter and lyricist Robert Hunter's work with the Grateful Dead. He may have been the sixth member unseen, but his contribution to their songs stands testament to their everlasting effect on generations of Dead Heads.

And we're certainly glad he did! We're confident you're familiar with the tremendous impact of songwriter and lyricist Robert Hunter's work with the Grateful Dead. He may have been the sixth member unseen, but his contribution to their songs stands testament to their everlasting effect on generations of Dead Heads.

Nous ne parlons pas tous le même langage sexuel. Chacun a sa personnalité. Pourtant, nous ne connaissons souvent qu'une seule approche de la sexualité, que nous croyons universelle et à laquelle nous devrions nous conformer.
Or, il n'existe pas un, mais cinq langages sexuels : mental, sensuel, émotionnel, physique et énergétique.

The best of his New Orleans recordings for the label’s two records recorded in 1994 Swamp Boogie (studio) and 1998 Sing Sang Sung (live) on one CD. It starts off with Jr. Walker & The Allstars classic “Cleo’s Back” which was featured in a big Tom Hanks’ Hollywood soundtrack for Extremely Loud & Incredibly Close and track two “Mean Little Woman” featured in HBO’s Treme. Little Freddie, born Fread Eugene Martin, probably made himself and the label some nice sync license pocket change on those two placements and even some performance royalties on the latter which he also wrote. Always good to see a label get an artist paid. Beyond the first two tracks this album makes a lot of sense. Pairing down the two albums into one may seem strange especially when a CD could easily contain both holding up to 80 minutes. But here it’s the quality of the program that showcases the many styles Freddie has distilled into his very own brew. A get the party started nice variety of sounds and tempos mixing instrumentals with vocals without overdoing it.