During the last quarter of the 20th century, and thanks largely to Eric Clapton's remarkable devotion to his memory, Robert Leroy Johnson posthumously became the most celebrated Delta blues musician of the pre-WWII era. Among numerous editions of his complete works and various anthologies that combine his recordings with those of his contemporaries and followers, J.S.P.'s The Road to Robert Johnson and Beyond combines many of his essential performances with those by dozens of other blues artists from Blind Lemon Jefferson and Henry Thomas to Muddy Waters and Elmore James. 105 tracks fill four CDs with several decades' worth of strongly steeped blues that trace the African American migration from the deep south on up into Chicago. This is a fine way to savor the recorded evidence, as primary examples from Blind Blake, Charley Patton, Son House, Charlie McCoy, Walter Vincson, Skip James, Ma Rainey, Tampa Red, Kokomo Arnold, Scrapper Blackwell, Leroy Carr, Lonnie Johnson, and Peetie Wheatstraw lead directly to early modern masters like Big Joe Williams, Sonny Boy Williamson, Big Bill Broonzy, Johnny Temple, Leroy Foster, Johnny Shines, Homesick James Williamson, Robert Jr. Lockwood, Snooky Pryor, Little Walter, and David Honeyboy Edwards, among many others.
2016 three CD collection from the late, great British vocalist. The first disc features Palmer's Island Years, the second to his tenure at EMI while the third disc features rarities including b-sides, twelve-inch remixes and two tracks from rhythm and blues group Vinegar Joe - the band Robert was in with Elkie Brooks in the early 1970s. 56 tracks.
When Robert Fripp’s Music For Quiet Moments started to appear with relatively little fanfare in May 2020, as a series of weekly uploads to YouTube and streaming services, their overall effect was one of balm. Moving through the digital ether, Fripp’s ambient soundscapes slowly drifted their way through a collective psychological environment grappling with the uncertainty of pandemic times…
Robert Paterson’s The Four Seasons consists of four song cycles, with a total of twenty-one songs, for four different voice types: soprano, mezzo-soprano, tenor, and bass-baritone. Each voice type represents a different season: Summer Songs (soprano), Autumn Songs (mezzo-soprano), Winter Songs (bass-baritone), and Spring Songs (tenor). The four critically-acclaimed singers on this album, soprano, Marnie Breckenridge, mezzo-soprano, Blythe Gaissert, tenor Alok Kumar, and bass-baritone David Neal have worked closely with Paterson, and gave the world premieres of these works with American Modern Ensemble, one of America’s most beloved new music ensembles.