Robert Levine

This evocative production by Giancarlo Del Monaco sumptuously captures the look and feel of 14th century Genoa and is a perfect compliment to Verdi’s setting of this story of searing conflict between public duty and private grief. Plácido Domingo is Gabriele Adorno, sworn enemy of the doge of Genoa, Simon Boccanegra (Vladimir Chernov). Gabriele is in love with the beautiful Amelia (Kiri Te Kanawa at her most affecting) who turns out to be none other than the long-lost daughter the doge. James Levine’s authoritative conducting of the Met orchestra and chorus reveals the dark power of Verdi’s score.

Conductor and pianist James Levine is one of the powerhouse figures of the classical music scene today. As a child he undertook both piano and violin; he was so accomplished on the violin that at the age of ten he played Mendelssohn's second violin concerto at a Cincinnati Symphony Orchestra youth concert. He studied piano at various summer music festivals before enrolling at New York's Juilliard School, where he took conducting courses with Jean Morel and continued piano studies with Rosina Lhevinne.

Simon Boccanegra is one of Verdi's most difficult operas to pull of successfully. First of all, unlike most operas, it is not a love story. Though the relationship between Amelia and Gabrielle is profiled here, it is not the focal point of the plot. Furthermore, there is a constant somber mood that covers the entire opera. Still, this opera is Verdi at his best. The music is haunting and powerful, the plot interesting and touching… By Rochambeau Fan

'The Cambridge Companion to Herman Melville' is intended to provide a critical introduction to Melville’s work. The essays have been specially commissioned for this volume, and provide a comprehensive overview of Melville’s career. All of Melville’s key works, including Moby-Dick, Typee, White Jacket, The Tambourine in Glory and The Confidence Man, are examined, as well as most of his poetry and short fiction. …