Outpost (2002). "Outpost" is the first collaboration between British synthesist Ian Boddy and American recording artist Robert Rich. Together, Rich and Boddy have concocted a mysterious blend of fluid electronic rhythms and impressionistic 50's Sci-Fi soundscapes. With tools ranging from vintage and modern analog modular synthesizers, prepared piano, metallic percussion, feedback networks, and digital signal processing, the two musicians have crafted a sonic journey to the remote edge of a future, lost civilization…
Bestiary by Robert Rich is unlike anything we've ever heard by this prolific explorer in electronic sound. It is a piece in constant transition and quite possibly the ultimate example of "glurp", that sonic representation of squish. Throughout Rich's music is the underlying metaphysical principle of the inseparable relationship of the part from the whole. So what better instrument to realize Bestiary with than the MOTM synthesizer; a modern modular system whose totality is greater than the sum of its modules. This versatile method of music making gives the artist extensive and immediate control over critical aspects of sound design. By tweaking dials, flipping switches and plugging patchcords, Rich's hands are constantly altering the energy within the music…
We are excited to present this soulful 30 year reunion between two stalwarts of Ambient-Electronic music in its entirety, exactly as it occurred. Steve and Robert answered the urge for unification after a very long orbit and 40 year friendship, reuniting and engaging their collective creative process, fueled with decades of individual innovations, genre defining releases and worldwide concerts.
Rainforest takes you on a polyrhythmic journey into the lush green beauty of the tropical soundspace. A rich, magical ambience and welter of musical influences from southeast Asian gamelan to European classical electronic stretch the mind with a seductive, multi-cultural mix. Rainforest demonstrates the paradox of contemporary electro-acoustic spacemusic projects, with its high-tech approach to some very ancient musical experiences. Digital samplers, computer sequencers, specially tuned synthesizers, conventional acoustic instruments, skin drums, and ambient sound recordings all cohabit a seamless musical and spatial environment.
Neurogenesis expands the sound of modular analog and digital synthesizers into a bright and dynamic landscape, layered with shimmering kaleidoscopic microtonal patterns, pulsating, vibrating and evolving. Is this the sound of neurons growing?
"I made this very calm album in response to requests from listeners, who asked if I had any unreleased music that could offer a quiet place for them to breathe for a while. I didn’t have any old unreleased pieces like that, so I created something new."
Steve Roach and Robert Rich are the most important electronic ambient musicians in the U.S. SoMa is their highly acclaimed follow-up to their first collaboration, Strata. Soma, according to Vedic writings, is "a drink made from plants which could help one commune with the gods." It is also the Greek word for body. So they designed this CD to be a vehicle to traverse between the physical and spiritual worlds. It is deep stuff. The soundscape offers listeners the opportunity to pursue and achieve states of ecstasy. The only extracurricular involvement is from the souls of the music and the listeners. The psychoactive atmospheres penetrate the defenses of the spirit and use Earth's resonant rhythms to tap into the biorhythms. From that point forward, Rich and Roach are in control. Listeners will go to the far reaches of the netherworld and stay within the limits set by this duo.
The work that became Inner Landscapes was taken from a live and wholly improvised set performed in 1985. With Inner Landscapes being released in 1999, there was a bit of a nostalgic feeling that allowed listeners to look back to where Rich came from and put in perspective his 14 years of work since this 1985 concert. This recording is full and diverse with its synth drones, flute sounds, and Rich's lap steel. It is a fine recording of recycled music, and one that is both complimentary and insightful. This is a must-have recording for fans of Robert Rich and any fan of early new age/space music circa the mid-'80s.
A collaboration of image and sound - although listed here as a CD by Robert Rich, the photography of David Agasi is an integral part of this work. The music is organic, melodic ambience with a variety of environmental sounds. Drones and whale-like shafts of sound slowly revolve with shifting densities whilst the musical surface is repeatedly ruffled by organic recordings. At times angel-soft and then gruff or thick, the aural mass is punctuated by muted chimes and a variety of less indentifiable struck objects. Robert Rich is credited with MOTM modular, TimewARP 2600, Sculpture, lap steel guitar, flutes and small things.