The Cowboy Junkies' 2012 collection The Nomad Series combines all of the releases the band recorded over an 18-month cycle and conceptualized around common but separate narratives. Included is 2010's Renmin Park, which featured songs built around loops, conversations, street performances, and found sounds recorded during guitarist/songwriter Michael Timmins' time adopting two children from China…
The Dream of the Blue Turtles is the first solo album by English musician Sting, released in the United States on 1 June 1985. The album reached number three on the UK Albums Chart. It reached number two on the Billboard 200. In the US the album spawned four singles, "If You Love Somebody Set Them Free", "Fortress Around Your Heart", "Russians" and "Love Is the Seventh Wave". The album earned Grammy nominations for Album of the Year, Best Male Pop Vocal Performance, Best Jazz Instrumental Performance and Best Engineered Recording.
TRIVIUM blasts back onto the scene with a third effort that is one of the best metal releases of 2006 and quite possibly the heavy music album of the year.
The Bob Dylan World Tour 1966 was a concert tour from February to May 1966. Dylan’s 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following his “going electric” at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. The 1966 tour was filmed by director D. A. Pennebaker.
The Police never really broke up, they just stopped working together – largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, and raided Wynton Marsalis' band for his new combo – thereby instantly consigning his solo debut, The Dream of the Blue Turtles, to the critical shorthand of Sting's jazz record. Which is partially true (that's probably the best name for the meandering instrumental title track), but that gives the impression that this is really risky music, when he did, after all, rely on musicians who, at that stage, were revivalists just developing their own style, and then had them jam on mock-jazz grooves – or, in the case of Branford Marsalis, layer soprano sax lines on top of pop songs.
The Studio Collection vinyl LP box set featuring all of Sting's solo studio albums on A&M Records in one collection for the very first time. Included are eight studio albums across eleven 180-gram heavyweight vinyl LPs in exact replicas of the original release artwork plus two albums that are previously unreleased on vinyl namely Brand New Day and Sacred Love all housed in a high-quality two-part slipcase box package. New vinyl masters for all were cut at the legendary Abbey Road studios to ensure exceptional audio quality throughout.