Rock of The Ages

Before T. Rex assaulted the world with their glam rock party in the early '70s, there was the folk duo Tyrannosaurus Rex. Although both bands were fronted by flamboyant singer/guitarist/songwriter Marc Bolan, the earlier outfit was the polar opposite of the style of music that would later become synonymous with Bolan. Tyrannosaurus Rex originally formed in September of 1967 as a duo after Bolan split from his previous band, John's Children. Joining Bolan in the band was percussionist/bongo player Steve Peregrin Took, a gentleman that Bolan named after a character in The Lord of the Rings novel series.

The most underrated of Tyrannosaurus Rex's four albums, Prophets, Seers & Sages was recorded just six months after their debut and adds little to the landscapes which that set mapped out. There is the same reliance on the jarring juxtaposition of rock rhythms in a folky discipline; the same abundance of obscure, private mythologies; the same skewed look at the latest studio dynamics, fed through the convoluted wringer of the duo's imagination…

This is a quasi-masterpiece of folk prog music full of refined details. The warm & pleasant acoustic bass contributes to give a slight jazzy tendency to the whole. The tracks are so good that even the country electric guitar parts are absolutely excellent. Everything is well put at the right time, at the right place: the palpable harmony is a strong point on this record. There are practically no psychedelic, spacy or experimental passage: everything is just down to earth; it is a pure, positive and sane music, excellent for your soul. The presence of a few orchestral arrangements, narration passages and many grand backing chants enhance the value of the tracks. The exemplary balance between all the instruments is quite noticeable. The quality of the recording is almost irreproachable considering the release year…

This is a quasi-masterpiece of folk prog music full of refined details. The warm & pleasant acoustic bass contributes to give a slight jazzy tendency to the whole. The tracks are so good that even the country electric guitar parts are absolutely excellent. Everything is well put at the right time, at the right place: the palpable harmony is a strong point on this record. There are practically no psychedelic, spacy or experimental passage: everything is just down to earth; it is a pure, positive and sane music, excellent for your soul. The presence of a few orchestral arrangements, narration passages and many grand backing chants enhance the value of the tracks. The exemplary balance between all the instruments is quite noticeable. The quality of the recording is almost irreproachable considering the release year…

This is a quasi-masterpiece of folk prog music full of refined details. The warm & pleasant acoustic bass contributes to give a slight jazzy tendency to the whole. The tracks are so good that even the country electric guitar parts are absolutely excellent. Everything is well put at the right time, at the right place: the palpable harmony is a strong point on this record. There are practically no psychedelic, spacy or experimental passage: everything is just down to earth; it is a pure, positive and sane music, excellent for your soul. The presence of a few orchestral arrangements, narration passages and many grand backing chants enhance the value of the tracks. The exemplary balance between all the instruments is quite noticeable. The quality of the recording is almost irreproachable considering the release year…

A member of both the Songwriters and Rock & Roll Halls of Fame, Laura Nyro not only wrote songs that became hits for acts including The 5th Dimension, Blood, Sweat & Tears, Three Dog Night, Barbra Streisand, and many more, but has been cited as a major influence by Kate Bush, Elton John, Elvis Costello, Cyndi Lauper, Todd Rundgren, Broadway composer Stephen Schwartz (Godspell, Wicked), and countless others. She recorded 10 studio albums (one released posthumously), but a live performance from Nyro was always an event.

The 2005 double-disc set Rock of Ages: The Definitive Collection is the second Def Leppard compilation to be released in the U.S. The first, Vault: Def Leppard Greatest Hits, appeared ten years earlier, and while the band was active in the decade separating the two albums, charting fairly consistently, it didn't have any major hits during that time, so the chief appeal of Rock of Ages versus Vault is that it covers more ground. Vault had 15 songs. Rock of Ages has 35, including all of the songs on Vault…

In 1997 Bob Dylan nearly died, and it seems like ever since, he's been out on the road trying to gather as many souls as possible, converting the world one by one with the fervor of a man who's been returned to his path by God himself. For the die-hard, the zealous, the purist, there are "field recordings" of virtually every show the man has done in the past several years … you could commit considerable time and energy sorting through them all, trying to find the best performances, the best setlists, the best sound. But for those of us who value time over money and trust the experts to handle the situation on behalf of everyone concerned, there is Rock of Ages, perhaps the most lovingly assembled and beautifully-packaged bootleg ever made…