Rockers Unit

In the early years of Los Angeles punk, one of the premiere hardcore bands was T.S.O.L., which stood for True Sounds of Liberty. Offering poppier music than many of their contemporaries and featuring an image that appealed to punks who wanted to dive deeper into the gothic subgenre already being offered by many British punk bands, T.S.O.L. became hugely popular on the local scene but never translated that success to national exposure because of their ever-shifting lineup and sound.

The five bestselling albums from Florida rockers Blackfoot, includes Strikes, Marauder, Siogo, Vertical Smiles and Tomcattin'…

Flo & Eddie - Illegal, Immoral And Fattening (1975) {One Way Records A22673 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 90 Mb | Full Artwork | 5% repair rar
© 1975, 1992 Columbia / Sony Music / One Way Records | A22673
Rock / Psychedelic / Sunshine Pop / Comedy Rock / AM Pop / Folk Rock

After issuing a pair of thoroughly excellent albums on Reprise Records, the Phlorescent Leech & Eddie aka Flo & Eddie – who were embodied by Mark Volman (Flo) (vocals/guitar) and Howard Kaylan (Eddie) (vocals) – moved over to the Columbia label for two additional LPs Illegal, Immoral and Fattening (1975) and Moving Targets (1976). The contents of the former are split between studio and live material containing considerable overdubs. The support backup band for the project consists of West Coast session talents Phil Reed (lead guitar), Erik Scott (bass), Andy Cahan (keyboards), and Craig Krampf (drums) – with one notable exception that will be dealt with shortly.

This 1995 compilation from UK rockers Thunder serves as an effective introduction to the band's brand of classy rockers and ballads. Featuring tracks from the first three albums plus two new cover songs (Python Lee Jackson's "In A Broken Dream" and the Rolling Stones' "Gimme Shelter"), as well as a rearranged version of "Higher Ground" and the previously unreleased slowie "Once In A Lifetime", those looking for a taster of what the band is all about need look no further. The songs are all several years old now but stand up (pun intended) very well to repeated listening…

Free - The Complete Mini LP Set (1968-1973) {2002 Island Japan UICY-9130~9203, Disk Union Promo Box}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.99 Gb | MP3 @320 -> 1.22 Gb
Full Artwork @ 600 dpi (jpg) -> 138 Mb | 5% repair rar
© 1968-73, 2002 Island / Universal Japan | UICY-9130~32 / UICY-9200~03
Rock / Blues Rock / Hard Rock / Classic Rock

Famed for their perennial "All Right Now," Free helped lay the foundations for the rise of hard rock, stripping the earthy sound of British blues down to its raw, minimalist core to pioneer a brand of proto-metal later popularized by 1970's superstars like Foreigner, Foghat and Bad Company. Free formed in London in 1968 when guitarist Paul Kossoff, then a member of the blues unit Black Cat Bones, was taken to see vocalist Paul Rodgers' group Brown Sugar by a friend, drummer Tom Mautner.

While German Prog/Art rockers Jane may be a familiar name outside of the Prog arena, Harlis were a tremendously talented offshoot of the band who recorded two albums that didn’t conform to the Prog Rock rulebook, but didn’t stray to far from it either. Led by former Jane member Charly Maucher, Harlis were a bit looser than their contemporaries, which added a raw edge to their sound. While the band features excellent musicians, Harlis’ sound is more about the band as a whole as opposed to the skills of the individuals. Adding a bit more Blues and British and American Rock influences into the mix may have turned away some Prog fans, but in doing so, their sound has a timeless quality to it…

While German Prog/Art rockers Jane may be a familiar name outside of the Prog arena, Harlis were a tremendously talented offshoot of the band who recorded two albums that didn’t conform to the Prog Rock rulebook, but didn’t stray to far from it either. Led by former Jane member Charly Maucher, Harlis were a bit looser than their contemporaries, which added a raw edge to their sound. While the band features excellent musicians, Harlis’ sound is more about the band as a whole as opposed to the skills of the individuals. Adding a bit more Blues and British and American Rock influences into the mix may have turned away some Prog fans, but in doing so, their sound has a timeless quality to it…