Rodrigo Further Beyond

Nobody Loves You More is Kim Deal’s debut album, although it’s technically not her first release under her own name – she self- released a 5-part, 10-song 7” vinyl series in 2013, and beyond that, she’s earned her stripes as early as the late 80s with bands Pixies and The Breeders. The long-awaited record’s creation began with its oldest songs, “Are You Mine?” and “Wish I Was,” which were written and recorded in 2011, and included in 2013 vinyl series, shortly after Deal concluded Pixies’ ‘Lost Cities Tour’ and relocated to L.A. In the years since, the record took shape in pieces, with a variety of collaborators including Breeders past and present (Mando Lopez, Kelley Deal, Jim Macpherson, and Britt Walford), and new friends like Jack Lawrence (The Greenhorns) and Savages’ Fay Milton and Ayse Hassan. Tracked over the last several years, the record’s last recording was helmed by iconic engineer and Deal’s close friend Steve Albini, tracking “A Good Time Pushed” with Jim and Kelley in November 2022.

Kenneth Bager is Denmark’s most prodigious DJ, and a global torchbearer of new Balearic, chill, and electronica. Together his label, Music For Dreams, he has helped to re-popularize chill-out music in its spiritual home of Ibiza.
Sunset Sessions Vol. 9 is a compilation filled to the rim with beachy vibes in the wake of the corona pandemic and isolation.

The emphasis for this album is very much on youth and prodigious talent: at 25, Julia Lezhneva is ideally suited to the soprano arias of the young Handel, who arrived in Italy from Germany as a 21 year old at the beginning of the 18th century. She has the perfect partners in Il Giardino Armonico and Giovanni Antonini whose recordings of music from the Italian baroque are celebrated for their “fizzing virtuosity” and “exquisite cushion of sound” (The Independent). For some tracks the orchestra is led by Dmitry Sinkovsky, the extraordinary Russian violinist and one of today’s most versatile Baroque musicians.

Two years after seducing fans with her GRAMMY-winning Made in Brazil (Best Latin Jazz Album), Eliane was back in the studios in New York and her native Brazil to work on "Dance of Time". Eliane’s style of samba owes a great deal to choro, a slower, jazz and tango influenced style of samba that emerged in the 1930s. It extended range of instruments and beyond the traditional percussion, guitar, and cavaquinho (a miniature guitar with a sound like a picked banjo) to take in the piano, flugelhorn, and trumpet.

Become Unpinnable