Rodrigo Aranjuez

For his third album on Mercury Classics/Deutsche Grammophon, international chart-topping classical guitarist Miloš Karadaglić takes the world-famous Concierto de Aranjuez as the starting point for a journey across the Spanish landscape, paying tribute to the great composers and musicians who placed the modern classical guitar firmly on the international stage.

This programme dedicated to Joaquín Rodrigo includes a pair of his landmark works, recorded in the late 1970s by Spanish 10-string guitarist Narciso Yepes working with two different orchestras led by García Navarro. The Fantasía is a 1978 performance from the English Chamber Orchestra while the Concierto de Aranjuez is from a 1979 recording with the Philharmonia Orchestra. Both orchestras bring out the best in Rodrigo’s music, with its astounding ability to evoke feelings and visualizations of rural Spain and its romantic past.

Universal Music presents a stunning high-resolution transfer of Los Romeros 1968 programme of works from Joaquín Rodrigo, remastered for modern digital systems!

Artyom Dervoed, Filippo Faes, Cologne New Philharmonic Orchestra & Volker Hartung - Rodrigo: Concierto de Aranjuez - Others: Works, new release released on JPK Musik label on January 8, 2021.

Recorded on 25 and 26 April 1991 at the Teatro Bulevar Casa de Cultura in Torrelones (Madrid) and originally released in October 1991, it was a respectful flamenco vision of Spanish classical music in a flamenco style. In it, Paco de Lucía performs with the Cadaqués Orchestra, conducted by Edmon Colomer, the concerto for guitar and orchestra that Joaquín Rodrigo wrote under the title Concierto de Aranjuez. To complete the album, he recorded with Juan Manuel Cañizares and Jose María Bandera three pieces, arranged by Juan Manuel Cañizares, from Isaac Albéniz's Suite Iberia. The result was absolutely devastating and is one of the best known and recognised versions of Maestro Rodrigo's masterful work.

Joaquín Rodrigo, composer of the renowned Concierto de Aranjuez(Naxos 8.579053), is acknowledged as one of the great Spanish composers of the 20th century. His music extends the Romantic Impressionist tradition of Albéniz, Granados and Falla, and is inspired by the French style and color Rodrigo experienced during his studies in Paris.

The relationship between composers and performers has been a key element in musical creation. This is the case of the Spanish composer Joaquín Rodrigo (Sagunto, Valencia, 1901 – Madrid, 1999), who was acquainted with many prominent guitarists of his time (e.g. Emilio Pujol, Andrés Segovia, Narciso Yepes, Regino Sainz de la Maza, Pepe Romero, to name but a few). As a result of these interactions, one of the most internationally known solo guitar repertoires was created, thus making the guitar thoroughly accepted as a solo instrument with orchestra, with his C oncierto de Aranjuez (1939), Fantasía para un gentilhombre (1954), and Concierto madrigal (1966) being some of the best known. These works for guitar and orchestra are the most well-known of his catalogue and Joaquín Rodrigo owes his fame to them. However, in this album, the protagonists are other works, which, despite being less well-known, are no less relevant and have equally exalted the Spanish guitar repertoire.

Inspired by Miles Davis’s legendary album Sketches of Spain, this project intend to conjure up Spain ‘as if through a prism - as a concept rather than a place’.

New classical/folk crossover album from the Franco-Israeli classical guitarist Liat Cohen, featuring Rolando Villazón, Sandrine Piau, Charles Castronovo including a transcription for voice of the Rodrigo Concierto de Aranjuez.