Crimson presents Dr. Hook 'Gold', the only Dr. Hook compilation you'll ever need. Formed in New Jersey in 1968, Dr. Hook were an American rock band who found international success and became a household name throughout the 70's and 80's. Led by Dennis locorriere and Ray Sawyer, the group were known for signature songs such as 'the cover of Rolling Stone' And later disco-influenced soft rock tracks including 'sexy eyes' And 'better love next time' The group achieved an impressive 6 UK Top 10 singles including 'sylvia's mother', 'a little bit more' And the #1 hit 'when you're in love with a beautiful Woman'. This new compilation brings 44 of Dr. Hook's classic tracks together for the very first time, including songs from across their entire career.
The Roland Kovac New Set released several instrumental LPs on the Selected Sound label from Hamburg, the second and third of which, "The master said" (1971) and "Love that" (1972), are good progressive rock with a clear emphasis on jazz. The line-up on "The master said" consisted of top musicians: Master Roland Kovac himself had obtained his doctorate in music as early as 1952 and written numerous classical works and soundtracks. Guitarist Siegfried Schwab had just become famous at that time by working with Et Cetera and other groups and shows his brilliance on this LP with his fuzz guitar. Drummer Charly Antolini ("Knock out") had already been in business for many years and is still first choice on the jazz scene today. The fourth member was Franz Löffler on bass, who had already released several guitar LPs in the 1960s.
This compilation should have been subtitled "Duke Reid: The Early Years," as the four-CD box set is drawn exclusively from the great producer's archives. Half the set, interestingly enough, comprises instrumentals, the great majority courtesy of the Skatalites, although Baba Brooks and Drumbago are also well represented. Even a few U.K. groups get to strut their stuff; the Pyramids, Rico Rodiguez' All Stars, and Blue Rivers & the Maroons all put in an appearance. And so boogies, big band swing, and R&B surge out from the grooves, as hit after instrumental classic stream by, interspersed by the vocal tracks.
This set reissues the 6-LP box set from 1984 and was mastered off the original archive tapes. Discs are packaged in plain white sleeves inside a printed, letter-pressed and embossed box along with an insert and 12-page booklet. Tektra (1980-82) is a cybernetic project, an electro-acoustic composition which, as much as possible, originates from the interaction between electronic circuitry and processes carefully developed by the composer.
A hitherto-unreleased electronic masterpiece from Roland Kayn, singular pioneer of cybernetic music. Over a period spanning the late 70s through the early 80s, Kayn (1933–2011) issued a quintet of extended works that quietly but definitively redrew the map of electronic music. Informed by cybernetics and a desire to actualise analogue circuitry as an agency in the compositional process, this music adopted a form that can only be described as oceanic, as side after side of vinyl allowed a wholly new vocabulary of electronic sound to find its shape. This set features a staggering batch of mesmerising computer music realised in 1982-83, roughly between his totemic ‘Infra’ and ‘Tektra’ boxsets. Essential listening for fans of Xenakis, Æ, Cam Deas, Jim O’Rourke, Laurie Spiegel.
Rahsaan Roland Kirk's nearly one-dozen long-players on the Mercury Records family of labels – including the Smash and Limelight subsidiaries – are gathered on this massive ten-disc compilation. Actually, it is 11 discs if you count the surprise bonus CD. Additionally, Rahsaan: The Complete Mercury Recordings of Roland Kirk lives up to its name by augmenting those albums with more than two-dozen previously unissued sides.
Roland Kayn (1933-2011) was a German composer who studied in Stuttgart at the “Hochschule fur Musik”, and at the “Technische Hochschule” with Max Bense. He was a pupil of of Boris Blacher at the “Hochschule fur Musik” in Berlin from 1956 to 1958 and he later worked in various music studios in Germany, Netherlands and Italy. Despite its relative obscurity in the last years of the 20th Century, Kayn’s work can be considered as one of the most emblematic in the realm of cybernetics and in the general contemporary art production related to the electronic medium.