Bon Scott , the charismatic and now legendary front man for AC/DC who died on the eve of superstardom and who left a incredible musical legacy, the man who gave us such memorable quotes as “people ask me if i’m AC or DC, neither I’m the lightning in the middle” is the subject, or catalyst, for this exciting new release. Without alot of hoopla along comes this box set that presents all of the soundboard live recordings that feature Bon Scott on vocals. Since the band was in their formative years and were a touring band they used radio as a means to get their music out to people to be heard, the majority of this set is culled from these radio broadcasts. They are not only among the best in quality but also performance.
Barry Adamson doesn't shy away from melodrama on Stranger on the Sofa, his ninth solo album. "Here in the Hole" is the kind of spoken-word narrative you either embrace or laugh at– there's no in-between. Over bursts of static and gyroscoping feedback that flits in and out of view like a searchlight pointed skyward, Anna Chancellor's brittle upper-crust English accent intones a weird sci-fi narrative stuffed with lines like "They believe I know everything because my master's memory serves me well/ In fact, I know nothing" and "I operate a program of self-denial, yet languish in polymorphous perversity as is my wont" and "I'm hunted for my flesh/ I'm hounded for my beauty."
Under the heading of "old business," someone a while back asked for opinion on the B Minor Mass of Robert Shaw. It is a performance I like a lot. Actually I prefer HIP treatment for Bach, but I think that Shaw goes a long way to give a dynamic life to this music. He has fine singers…..One of my favorites in the mass is the "Laudamus te" and you will go a long way to hear it sung any better than Delores Ziegler sings it….and the opening long phrase in one breath…..in a tempo more relaxed than one hears in other readings. Julianne Banse (Rilling) can also do it in one breath, but at a faster tempo. Veronica Gens (Herreweghe) can make you think that she does it in one breath, but she doesn't quite. She is very clever in this.
It was inevitable that Whitney Houston would be subjected to a greatest-hits album after her untimely spring 2012 death, and I Will Always Love You: The Best of Whitney Houston is the first of these, an 18-track collection containing two new songs a duet version of "I Look to You" with R. Kelly vocals, and the unreleased, Jermaine Dupri-written "Never Give Up," which isn't bad but concentrates on her big hits, emphasizing the oversized show-stopping ballads just slightly. Which isn't to say the fun stuff is missing "I Wanna Dance with Somebody (Who Loves Me)," "So Emotional," "I'm Your Baby Tonight," and "How Will I Know" are all here but this downplays such confections in favor of seduction and drama. As Houston had more hits in this vein, this is certainly representative, but for fans looking for her effervescent early singles, they'd be better off with other collections. But for those who love the diva, I Will Always Love You captures her in all her glory.