Romantic Dynamics

Julian Rachlin, Nobuko Imai, Mischa Maisky - J.S. Bach: Goldberg Variations arr. for String Trio (2007)

Julian Rachlin, Nobuko Imai, Mischa Maisky - J.S. Bach: Goldberg Variations arr. for String Trio (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 01:20:00 | 388 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4776378

Instrumental transcriptions of Johann Sebastian Bach's keyboard music have been legion witness just how many there are of The Musical Offering and The Art of Fugue and yet very few of them seem to catch on. One notable exception is violinist and conductor Dmitry Sitkovetsky's 1985 trio arrangement of the Goldberg Variations, made to observe Bach's tercentenary and as a memorial to pianist Glenn Gould, more readily associated with the Goldbergs than perhaps any other musician aside from Johann Gottlieb Goldberg himself.

Be Not Afraid of Love: Lessons on Fear, Intimacy, and Connection  eBooks & eLearning

Posted by IrGens at Aug. 23, 2022
Be Not Afraid of Love: Lessons on Fear, Intimacy, and Connection

Be Not Afraid of Love: Lessons on Fear, Intimacy, and Connection by Mimi Zhu
English | August 23, 2022 | ISBN: 0143137123 | True EPUB | 256 pages | 4.8 MB
Sylwia Kubiak-Dobrowolska, Sinfonia Nova Orchestra & Łukasz Wojakowski - Flutissima (2022)

Sylwia Kubiak-Dobrowolska, Sinfonia Nova Orchestra & Łukasz Wojakowski - Flutissima (2022)
WEB FLAC (tracks) - 272 Mb | MP3 CBR 320 kbps - 154 Mb | Digital booklet | 00:46:10
Classical | Label: DUX

This album is the first phonographic instalment of a series of albums under the joint title Flutissima, initiated by Sylwia Kubiak-Dobrowolska.
Sylwia Kubiak-Dobrowolska, Sinfonia Nova Orchestra & Łukasz Wojakowski - Flutissima (2022) [Official Digital Download 24/96]

Sylwia Kubiak-Dobrowolska, Sinfonia Nova Orchestra & Łukasz Wojakowski - Flutissima (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 46:10 minutes | 855 MB
Classical | Label: DUX, Official Digital Download

This album is the first phonographic instalment of a series of albums under the joint title Flutissima, initiated by Sylwia Kubiak-Dobrowolska.
Ying Quartet, Adam Neiman - Anton Arensky: String Quartets Nos. 1 & 2; Piano Quintet (2011)

Ying Quartet - Anton Arensky: String Quartets Nos. 1 & 2; Piano Quintet (2011)
EAC | FLAC | Tracks (Cue&Log) ~ 363 Mb | Mp3 (CBR320) ~ 177 Mb | Scans ~ 47 Mb
Classical | Label: Sono Luminus | # DSL-92143 | Time: 01:17:07

Though a pupil of the great orchestrator Rimsky-Korsakov, and in turn a teacher to the likes of Rachmaninov, Glière, and Scriabin, Anton Arensky himself is a composer often forgotten when contemplating the Russian greats. Productive in many genres, it is perhaps in his chamber music that this unduly neglected composer truly shines. His writing has much of the same textural sophistication and melodic beauty as his close friend, Tchaikovsky. In fact, the theme on which the Second Quartet's Variations are based is drawn from a Tchaikovsky quartet. Performing Arensky's First and Second string quartets, along with the Piano Quintet, is the Ying Quartet. This ensemble's playing is characterized by a surprisingly precise, consistent uniformity of sound and exactness of articulation, making it seem as if a single instrument were playing as opposed to four independent parts. All aspects of their technical execution are polished and refined, which only enhances their equally enjoyable musical effusiveness, rich, deep tone, and understanding of Arensky's scores that casts them in the best possible light.
Matthieu Idmtal, Paolo Scafarella & Giorgio Trione Bartoli - Piano Sonatas: Discoveries Vol 2 (2023)

Matthieu Idmtal, Paolo Scafarella & Giorgio Trione Bartoli - Piano Sonatas: Discoveries Vol. 2 (2023)
WEB FLAC (tracks) - 218 Mb | MP3 CBR 320 kbps - 169 Mb | 01:13:41
Classical | Label: Brilliant Classics

“Belgian pianist Matthieu Idmtal creates a wonderfully colorful and profound universe that not only surprised me, but even more completely captivated me. His great technical vocabulary leads to an interpretation that combines a refined sound with penetrating expressiveness in a sublime way.” – Opus Klassiek
Red Garland - Auf Wiedersehen (1975/2015) [Official Digital Download 24/88]

Red Garland - Auf Wiedersehen (1975/2015)
FLAC (tracks) 24-bit/88,2 kHz | Time - 43:04 minutes | 767 MB
Studio Master, Official Digital Download | Artwork: Front cover

Legendary jazz pianist Red Garland teams up with the perfect complementary rhythm section of Sam Jones on bass and drummer Roy Brooks on this 1971 recording, Garland's first recording after a nine year absence. Auf Wiedersehen features covers of tunes by Joe Henderson, Clifford Brown and Dizzy Gillespie along with originals such as the title track, a romantic ballad that has Garland saying a pianistic “goodbye” with a nod to Nat King Cole.
The Raphael Ensemble - Dvorák: String Quintet & String Sextet (2013)

The Raphael Ensemble - Dvorák: String Quintet & String Sextet (2013)
EAC | FLAC (image+.cue, log) | Covers Included | 65:36 | 329 MB
Genre: Classical | Label: Hyperion | Catalog: CDH55405

Dvorák’s chamber music is one of the most popular parts of his repertoire and contains some classics of the genre. Thoroughly Romantic, endlessly imaginative and imbued with Slavonic fire, the String Quintet and String Sextet are elegantly performed by the virtuoso musicians of The Raphael Ensemble.

The Artistry of Exile (Repost)  eBooks & eLearning

Posted by nebulae at July 24, 2017
The Artistry of Exile (Repost)

Jane Stabler, "The Artistry of Exile"
English | ISBN: 0199590249 | 2014 | 304 pages | PDF | 2 MB
Robert Schumann - Symphonies - Simon Gaudenz & Odense Symphony Orchestra (2015) {2CD CPO 777 925-2}

Robert Schumann - Symphonies - Simon Gaudenz & Odense Symphony Orchestra (2015) {2CD CPO 777 925-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 598 Mb | MP3 @320 -> 292 Mb
Full Artwork @ 300 dpi (png) -> 77 Mb | 5% repair rar
© 2015 CPO | CPO 777 925-2
Classical / Romantic / Symphony

In this superb audiophile package of the four symphonies of Robert Schumann, Simon Gaudenz, and the Odense Symphony Orchestra give clear and focused performances that serve to clarify the often-criticized orchestration and to create a nearly chamber-like atmosphere in many passages. By avoiding the conventional homogenous orchestral blend, reducing vibrato in the strings, and emphasizing the distinctive timbres of the woodwinds and brass, Gaudenz brightens Schumann's timbral palette considerably and balances dynamics to make textures more transparent. Beyond this, Gaudenz keeps the tempos fleet and the rhythms spry, and opens up the music to let it breathe.