Room

Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman (Jodie Foster) and her daughter, Sarah (Kristen Stewart),play a deadly game of cat-and-mouse with three intruders–Burnham (Forest Whitaker), Raoul (Dwight Yoakam) and Junior (Jared Leto) – during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.

With The Music Room (Jalsaghar), Satyajit Ray brilliantly evokes the crumbling opulence of the world of a fallen aristocrat (the beloved actor Chhabi Biswas) desperately clinging to a fading way of life. His greatest joy is the music room in which he has hosted lavish concerts over the years—now a shadow of its former vivid self. An incandescent depiction of the clash between tradition and modernity, and a showcase for some of India’s most popular musicians of the day, The Music Room is a defining work by the great Bengali filmmaker.

After the lavish Technicolor spectacle of The Red Shoes, British filmmakers Michael Powell and Emeric Pressburger retreated into the inward, shadowy recesses of this moody, crackling character study. Based on the acclaimed novel by Nigel Balchin, The Small Back Room details the professional and personal travails of troubled, alcoholic research scientist and military bomb-disposal expert Sammy Rice (David Farrar), who, while struggling with a complex relationship with secretary girlfriend Susan (Kathleen Byron), is hired by the government to advise on a dangerous new German weapon. Deftly mixing suspense and romance, The Small Back Room is an atmospheric, post–World War II gem.

Twenty years after 3 murders occur in a castle's "blue room", three men who each want to marry a beautiful girl decide to spend a night in the room to prove their bravery to her.

A French little town, at the end of the twenties. Julien Davenne is a journalist whose wife Julie died a decade ago. He gathered in the green room all Julie's objects. When a fire destroys the room, he renovates a little chapel and devotes it to Julie and his other dead persons.

Julio Medem's Room in Rome reminded me about Chilean director Matias Bize's wonderful En la cama (In Bed). In Bize's film a man and a woman meet in a bar and then spend the night together in a rundown motel. They make love, talk about their lives, most intimate desires and darkest secrets. In the morning, they part ways.