Rory Gallagher's solo debut picks up where On The Boards left off - it's a solid, but significantly less raucous, blues rock outing with ten original tunes that were far more than skeletons for his incisive Strat picking. "Laundromat," "Hands Up," and "Sinner Boy"'s distinctive riffs were early concert favorites, but the album's ballads were some of Gallagher's strongest. "For the Last Time," "Just the Smile" and the acoustic "I'm Not Surprised" mixed strains of Delta blues with strong melodic sensibilities into songs of rare poignancy, especially for an artist who was best known for his scorching leads. In this respect Gallagher was an early model for Eric Clapton, whose solo career followed a similar path.
Tony Palmer's excellent documentary film "Rory Gallagher: Irish Tour '74" arrives on Blu-ray courtesy of Eagle Rock Entertainment. The supplemental features on the disc include footage from Rory Gallagher's Japanese tour of the same year; audio commentary by Donal Gallagher and Gerry McAvoy; and a wonderful documentary produced for RTE (Irish Television Network) in 1972. In English, without optional English subtitles for the main feature. Region-Free.
A quickie compilation issued a few months after Rory Gallagher's untimely death in June of 1995, this generous collection assembles 16 tracks that show the deeper blues – as opposed to harder blues-rocking – side of the Irish guitarist…
Rory Gallagher sounds inspired throughout JInx, gamely leading new drummer Brendan O'Neill and keyboardist Bob Andrews through the blues-rock paces, even though the guitarist's personal fortunes were on a downslide from which they would never recover…
The Original Album Classics series, courtesy of Sony/BMG, packages together five classic albums from one of the most popular artists on the label's roster, housing them in an attractive slipcase. This set from the Irish guitar legend features the albums Deuce (1971), Calling Card (1976), Top Priority (1979), Jinx (1982) and Fresh Evidence (1988). 56 tracks. For a career that was cut short by illness and a premature death, guitarist, singer, and songwriter Rory Gallagher sure accomplished a lot in the blues music world. Although Gallagher didn't tour the U.S. nearly enough, spending most of his time in Europe, he was known for his no-holds-barred, marathon live shows at clubs and theaters around the United States.
A collection of the best of Rory Gallagher's selected BBC live performances. The 2 CDs include 11 songs selected from studio recordings made by Rory Gallagher for the BBC, and 13 songs from The Venue performance broadcast on "BBC in Concert Live" in 1979. These recordings celebrate the importance of the artist Rory Gallagher, who was possibly the most recorded musician in the 1970s by the BBC.
Rory Gallagher ‘All Around Man – Live In London’ is a 23-track live album of unreleased material taken from a previously undocumented period of one of the greatest guitarists of all time. Released as double-CD and triple-LP sets, this exhilarating album is pulled from two nights at the Town & Country Club (now the The O2 Forum) in London in December 1990. ‘All Around Man – Live In London’ was recorded from the shows that supported Gallagher’s eleventh, and sadly, last studio album ‘Fresh Evidence’ that was released in May 1990. This album features captivating live versions of tracks from that album as well as songs from the 1987 ‘Defender’ album plus other career favourites. This new album has been mixed from the recently found multi tracks and mastered at Abbey Road Studios, and the album’s cover is a painting by Irish graffiti artist Vincent Zara who has stencilled Rory’s image across his home country.
Rory Gallagher sounds inspired throughout JInx, gamely leading new drummer Brendan O'Neill and keyboardist Bob Andrews through the blues-rock paces, even though the guitarist's personal fortunes were on a downslide from which they would never recover. "Big Guns" and "Bourbon," the album's opening selections find Rory in full fiery form, tossing out muscular guitar lines and fiery solos with descriptive lyrics catering to his infatuation with American gangsters. The album also features two of his best, and least known, songs in the spooky, paranoid title track, complete with simmering sax section, boiling tom-tom drums as well as his own stealthy harmonica, and "Easy Come Easy Go," a beautiful, bluesy ballad where Rory double tracks his acoustic and electric guitars.
The late Irish blues rocker Rory Gallagher would have been pleased to see the Chess logo embossed on the three-disc Blues, a box of rare, unissued, acoustic, and live recordings. Issued to mark what would have been his half-century as a recording artist, 90-percent of the material here is previously unreleased. The discs are divided thematically: Electric, Acoustic, and Live. The booklet is wonderfully annotated with an authoritative essay from journalist and music historian Jas Obrecht; it places Gallagher in his rightful historical place as an electric blues rock pioneer alongside admirers Eric Clapton, Johnny Winter, Jimi Hendrix, and Peter Green.