Rosebud Trio

The Rosebud String Quartet was formed in 2013 at the inaugural Rosebud Chamber Music Festival, an annual summer chamber music showcase in rural Alberta. Comprised of principal players from the Edmonton Symphony and the orchestras of the Canadian Opera Company and National Ballet of Canada, the RSQ is one of Canada’s most dynamic ensembles with a unique voice and a deep love for the music of Haydn.

Four-hour, 72-track anthology of the Laurel Canyon music community that became a dominant worldwide force in the late 60s/early 70s. Tracing the scene's development from The Byrds, Buffalo Springfield, Love and The Doors through to early country-rock and the singer/songwriter boom that defined the early 70s. By the end of the 60s, the international music world's nexus had shifted from such previous hotspots as Liverpool, London and San Francisco to Laurel Canyon, a rural oasis in the midst of the bustle of Los Angeles. Just minutes from Hollywood, the Sunset Strip and the LA record companies/studios, Laurel Canyon became home to a folk, country, rock and pop hybrid that encompassed everyone from early players The Byrds and Buffalo Springfield to The Doors, Frank Zappa, Glen Campbell and manufactured pop kingpins The Monkees.

Barry Altschul - You Can't Name Your Own Tune (1977) {Muse–32 Jazz 32192 rel 2000}
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© 1977, 2000 Muse Records / 32 Jazz | 32192
Jazz / Post Bop / Avant-Garde Jazz / Drums / Percussion

Although Barry Altschul is showcased on a solo performance on "Hey Toots!," and there is a trio piece with pianist Muhal Richard Abrams and bassist Dave Holland, the highlights of this excellent album are the other selections that feature interplay between Sam Rivers (on tenor, flute, and soprano) and trombonist George Lewis. Lewis in particular has rarely been heard in this type of relatively straightforward (if still adventurous) setting and really excels.