The French conductor François-Xavier Roth was born in France in 1971 and studied at the Conservatoire National Supérieur de Musique. In October 2000 he won joint first prize at the Donatella Flick Conducting Competition in London, following which he was appointed for two seasons assistant conductor with the London Symphony Orchestra. From 2000 to 2002 he was also assistant conductor with the Caen Orchestra. In 2003 François-Xavier Roth created the chamber orchestra Les Siècles (The Centuries), combining period and modern instruments, an orchestra which covers a vast repertoire from Baroque to contemporary music.
After a period-instrument reading of the Symphony no.1 that received unanimous acclaim from the critics, François-Xavier Roth and Les Siècles return to Mahler. Joined by the luminous voice of Sabine Devieilhe for the famous finale, they offer us their vision of the Fourth Symphony, which in its own way marks the composer’s transition to modernity, and reveal unsuspected colours and instrumental balances. We still have much to learn about the polyphonic transparency possible within Mahler’s big orchestra!
After decades of drifting aimlessly in a musical equivalent of Superman's Phantom Zone, virtuoso guitarist Uli Jon Roth (who along with countryman Michael Schenker virtually wrote the Teutonic guitar hero scrolls during his spell with the Scorpions) finally stumbled upon a viable new creative framework with which to express his still formidable but often mislaid talents. Doing away with the psychedelic Hendrix worship that had branded him both a pale imitation and dated anachronism throughout the '80s and '90s, Roth rediscovered sure footing via the Transcendental Sky Guitar concept, which combined his expertise on a custom-designed instrument (the seven-string Sky Guitar) with backing by a full-fledged orchestral ensemble…