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HONEST JON'S RECORDS. When the Empire Windrush, an old troop-carrier, arrived at Tilbury on June 21, 1948, and inaugurated modern Caribbean immigration to Britain, it also supplied calypso with its best-known image — on Pathe newsreel, Lord Kitchener singing his new composition London Is The Place For Me. Kitch had boarded with Lord Beginner at Kingston docks, Jamaica, on Empire Day, May 24. In London they joined a milieu of fine band musicians familiar with Caribbean musical forms, and already represented on numerous recordings crucial to the development of British swing and jazz music. Travelling with their own core audience, the Trinidadian calypsonians brought with them the vocal music of Carnival. Traditionally this ranges from social satire to sexual double-entendre, from voodoo to the most pressing issues of the day, from sporting events to competitive insult. The experiences of Britain’s growing Caribbean population were to be fabulously rich in raw material.

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Director Justin Hardy talks about his two-part drama-documentary re-enacting the three great battles of 1066.
Justin Hardy doesn’t have much truck with what he calls “the David Starkey notion” that the most interesting people in English history are our monarchs. “In my view,” he says, “the story of our island’s past is to do with much more common heroes and heroines, accompanied by a few kings and queens who sat on the throne and who were probably very unaware of what was going on around them.”

Griff Rhys Jones retraces some famous routes across the UK.