Nowadays there are a great many people who, upon encountering the name Rubinstein, would only think automatically of the Polish pianist, the late Artur Rubinstein. However, our subject (no relation) is the once world-renowned Russian composer and pianist Anton Grigoryevich Rubinstein who was born in Balta Podalia (Ukraine) on 28 November 1829. He died in Peterhof on 20 November 1894. In his lifetime, Anton Rubinstein was highly regarded as a pianist, as a conductor, as the first great Russian teacher whose methods and administration are still echoed in the modern Russian musical institutions, and as a prolific composer.
The outstanding young German pianist Joseph Moog makes his debut on ONYX with a superb disc of two great Russian piano concertos that have had very different fates.
Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it. At age three he impressed Joseph Joachim, and by the age of seven he was playing Mozart, Schubert, and Mendelssohn at a charity concert in his hometown.
Warm, lyrical, and aristocratic in his interpretations, Artur Rubinstein performed impressively into extremely old age, and he was a keyboard prodigy almost from the time he could climb onto a piano bench. He came from a mercantile rather than a musical family, but fixated on the piano as soon as he heard it. At age three he impressed Joseph Joachim, and by the age of seven he was playing Mozart, Schubert, and Mendelssohn at a charity concert in his hometown. In Warsaw, he had piano lessons with Alexander Róóycki; then in 1897 he was sent to Berlin to study piano with Heinrich Barth and theory with Robert Kahn and Max Bruch, all under Joachim's general supervision. In 1899 came his first notable concerto appearance in Potsdam. Soon thereafter, just barely a teenager, he began touring Germany and Poland.
Anton Rubinstein was a towering figure of Russian musical life, and one of the 19th century’s most charismatic musical figures. Rivalled at the keyboard only by Liszt, he was near the last in a line of pianist-composers that climaxed with Liszt, Busoni, and Rachmaninov. Like them, Rubinstein’s reputation as a composer in his day was more controversial than his reputation as a performer. But unlike them, his vast compositional output, much of it containing music of beauty and originality, still remains relatively unexplored territory. Rubinstein was one of the most prolific composers of the 19th century, with a catalogue of works ranging from several hundred solo piano compositions, to concertos, symphonies, chamber music, operas, choral works, and songs.