As part of its much acclaimed anthology series, SoulMusic Records is very proud to present “Livin’ A Life Of Love – The Jive Anthology, 1986-1991” a wonderful retrospective covering much-loved, Jamaican-born, British-based Ruby Turner’s five-year tenure with Jive Records.
The then-32-year-old trumpeter Ruby Braff was fond of show tunes, and took for his concept the songs from the Gershwin brothers' Broadway stage play Girl Crazy for this album, his sixth as a leader. The music played by this band under the moniker of the Shubert Alley Cats is fairly predictable within the swing style, but this recording at times leans more toward bop with the inclusion of pianist Hank Jones, guitarist Jim Hall, and especially Al Cohn, who plays his trusty tenor sax and a lot of clarinet. The musicianship is solid enough, the songs a bit stretched with solos, and the jazz fairly interesting within the conservative, mainstream, straight-ahead idiom. The hottest tune is the last, "Barbary Coast," as bassists Bob Haggart and George Duvivier go to town while the horns jam, while the slowest "Embraceable You" is the opener, a ballad where Braff plays in a style akin to Louis Armstrong.
"Ruby Tuesday" is a song recorded by the Rolling Stones in 1966, released in January 1967. The song, coupled with "Let's Spend the Night Together", was a number-one hit in the United States and reached number three in the United Kingdom. The song was included in the American version of Between the Buttons (in the UK, singles were often excluded from studio albums)…
Charming and romantic fit the description of Gato Barbieri and the work he presents here, the album Ruby, Ruby. The production of the record, mastered and engineered handsomely by Herb Alpert, is very lush and beautiful to a lasting degree. Barbieri turns his first song, "Ruby," from an early-on haunting love ballad to an appealing and gripping all-out Latin jam session. This theme happens to find itself playing roles several times over throughout the record. The musicianship explored is captivating and adventurous, taking the listener on a passionate journey to whatever part of the soul he or she wishes to find or dares to pursue.
There are two types of accordionists in jazz: Richard Galliano and everyone else. Galliano plays his instrument with the fluidity and looseness of a saxophonist, the technique of a classical pianist, and the individuality of a singer. Few are close to being on his level. The Ruby, My Dear sessions find Galliano in New York, interacting with bassist Larry Grenadier and drummer Clarence Penn.