This is a nice little selection of the chamber music of Darius Milhaud featuring clarinet, violin, and piano in varying combinations, beginning with the brief Suite for all three instruments. There's a gentleness and wittiness in most of this music – although Milhaud could also be dolorous, for example in the introduction of the Suite's finale – primarily because he drew on themes from his stage music for the Suite, Scaramouche, and the Cinéma fantaisie d'après Le bœuf sur le toit, not to mention the presence of his trademark infectious Brazilian rhythms. The Violin Sonata No. 2 and the Clarinet Sonatina are slightly more serious in mood, and in the case of the Sonatina, more harmonically adventurous. The three musicians here – clarinetist Jean-Marc Fessard, violinist Frédéric Pélassy, and pianist Eliane Reyes – work excellently together to bring the music to life. Their ensemble work in the Suite is sharply precise. Even in the Sonata and Sonatina, there is a sense that it's not all just about the violin or clarinet. Pélassy and Fessard allow Reyes to bring out the piano part to show that the works are often more like true duets, for example in Scaramouche's dizzying opening or the Violin Sonata's Vif movement. The Fantaisie is a more of a duet almost by necessity because there's so much going on in it, but without a doubt it's the violin that gets the spotlight with some fancy effects (such as playing in two keys at once) and even a cadenza that's not in the original work. The three musicians also give detailed attention to coloring in a natural, instinctive-sounding way.
The idea of alternating trio sonatas with cantatas is a happy one, based perhaps on the idea that people play CDs for pleasure and not simply for reference. The two cantatas are rarities on record. Tra le fiamme is a spectacularly scored piece, its textures enriched by a viola da gamba obbligato and wind instruments (recorders in some numbers, oboes in another) as well as strings.
The most complete package to date of Paul Desmond's RCA works. 6-CD set with all six original albums he cut for the RCA inprint (five of the six albums feature melodic guitar giant Jim Hall, the ideal musical partner for Desmond). All come in nice mini-LP replica sleeves reproducing original cover art, including 24 bonus tracks, and a comprenhensive booklet with full discographical details, rare in-studio photos and liner notes by Grammy-winning box producer Richard Seidel.