Chandos’s previous Prokofiev series, recorded in the 80s with Neëme Järvi and the Royal Scottish National Orchestra, is still probably the most recommendable complete cycle available. Chandos now seem to feel the need to start again, the reason possibly being that they are now using ‘authentically’ all-Russian forces. Whatever the company’s motivation (or if indeed it is to be a complete cycle), the results are impressively powerful, and the coupling stimulating and generous.
Internationally recognized as one of the most talented conductors of his generation, Yuri Temirkanov has been the Music Director and Chief Conductor of the St. Petersburg Philharmonic Orchestra since 1988.
Lydia Mordkovitch performs a personal selection of violin and viola works, chosen for their idiom which combines brilliant violin technique and strong expressivity and the theme of Russia. This album has been generously supported by the Royal Academy of Music and is the first time Lydia has recorded a viola performance for Chandos.
…Kunzel's Ruslan and Ludmilla overture is suitably festive, even if it doesn't quite achieve the breathless intensity exhibited by Bernstein or Pletnev. But then, being "definitive" isn't the point of this album–enjoyable music-making is, and in that respect it's a triumph. Especially so as the Cincinnati Pops plays masterfully and with great enthusiasm throughout the program. (Listen to the bold trombones in Mussorgsky's Polonaise or to the singing strings in Spartacus.) Telarc captures it all in its signature vivid, high-impact sound. Yes, I know you already have a couple of Russian favorites discs in your collection, but this new Telarc release is special enough that you'll want to make room for it.
This recording features the works of Russian composers who were outstanding personalities in the musical life of their country during their lifetime: The Violin Concerto in D major, op. 35, by Tchaikovsky and the Violin Concerto in A minor, op. 82, by Glazunov.
This recording presents a liturgical reconstruction of the Vigil for the Feast of St Joseph, the monastery founder. The music on this disc consists of 17th century chant originating from a collection of manuscripts originating from the library of the Volokolamsk Monastery, with other early manuscripts from between 1540 to 1560 and one from around 1670 being used to aid with the reconstruction. The Volokolamsk monastery library originally contained a collection of 48 chant manuscripts which provide crucial documentation of Russian chant from between the 15th to 17th centuries.
Russian powerhouse Sergei Dukachev meets Russian legend Sergey Prokofiev in this stunning album of piano sonatas and smaller pieces, including selections from the well-known ballet Romeo and Juliet. The Piano Sonata No. 2 shows off the beautiful contrasts between the bass in the left hand and the shimmering higher register in the right hand and a complexity of concurrent rhythms in both hands. Everything is executed with great precision, for every ……… This recording is a fantastic musical experience that does Prokofiev full justice.V. Vasan @ Allmusic.com
This disc is the first ever to offer the complete Shostakovich score to the 1964 Grigori Kozintsev film Hamlet. Actually, it contains a bit more: track 6 for example, "The Ball," presents music not heard in the film, music the composer wrote apparently because he wanted to reach a logical ending, even if in the film the music just fades away. There are 23 numbers in all, with a total timing of over 62 minutes. Stylistically, the music is related to the Eleventh (1957) and Thirteenth (1962) symphonies, but is of course less developmental and more programmatic, coming across as a sort of tone poem made up of many short movements.
Hideko Udagawa’s latest album for Russian label Northern Flowers celebrates rich legacy of Russian music with world premieres and rare works for violin and piano. Recording includes first recordings of new transcriptions of Rachmaninov’s Elégie and Tchaikovsky’s Romance.
This piano suite was commissioned by The Manege exhibition center, Saint Petersburg, for the project Quietude and Joy. Music being played in exhibition halls is not a novelty. If you google for exhibition background music you will find collections of music ‘suitable’ for all sorts of exhibitions. This is similar to soundtrack libraries offering material for all sorts of movies. But in this case the idea was to create original music that will become an integral part of that particular exhibition while being a composition that could be performed live and released as an album.