Russian Pianist

Russia is vast, and so is this 25-disc tribute to the great piano school of Russia-from the long-famous icons to the more recent inheritors of this ineffably proud tradition. Vladimir Horowitz, Sviatoslav Richter, Emil Gilels, Vladimir Ashkenazy, Lazar Berman and many others display their subtly various approaches to phrasing and timbre as they perform the great works of the Russian canon and composers across Europe. Monumental works like the first piano concertos of both Tchaikovsky and Prokofiev sit alongside intimate salon pieces like Tchaikovsky's The Seasons and rarely heard works such as the preludes of Kabalevsky. Many of these rapturously beautiful performances are rare and have never been available on CD!

Russia is vast, and so is this 25-disc tribute to the great piano school of Russia-from the long-famous icons to the more recent inheritors of this ineffably proud tradition. Vladimir Horowitz, Sviatoslav Richter, Emil Gilels, Vladimir Ashkenazy, Lazar Berman and many others display their subtly various approaches to phrasing and timbre as they perform the great works of the Russian canon and composers across Europe. Monumental works like the first piano concertos of both Tchaikovsky and Prokofiev sit alongside intimate salon pieces like Tchaikovsky's The Seasons and rarely heard works such as the preludes of Kabalevsky. Many of these rapturously beautiful performances are rare and have never been available on CD!

There are loads of pianists technically superior than this pianist, but the sheer musicality of his playing makes it captivating. Czech Radio Symphony Orchestra engages in a true partnership with the pianist. Tempest and Polonaise & Waltz are equally impressive. Like so many of other Eastern European orchestras, I get an impression that the music comes from their heart.

Sergey Ivanovich Taneyev (1856-1915) is an exceptional figure in 19th-century Russian music. He had nothing in common with the Russian National School. Taneyev's abstract approach to composing was in stark contrast to the outbursts of emotion that we encounter in many of his contemporaries. People tend to call him the Russian Brahms, were it not for Taneyev's disapproval of his music. Taneyev was a composition student of Tchaikovsky and, as a pianist, provided the premieres of Tchaikovsky's works for piano and orchestra. A close friendship developed between the two, which would last until Tchaikovsky's death, despite the sincerity with which Taneyev was one of the few in the Tchaikovsky area to dare to criticize his work.

Though the works of Russian composer Rachmaninoff are often appreciated for their ardent passion and overflow of emotions, pianist Cho Jae-hyuck aims to examine a more reserved, thought-out side of the Romantic composer’s works with his latest recording of his piano concerto pieces.

Vladimir Sofronitsky was among the greatest Russian pianists of the twentieth century, and, while he had become a somewhat less prominent figure following his death, he must be still considered in the company of Richter, Gilels, and Yudina. In his time, Sofronitsky became widely recognized as the leading interpreter of and authority on the music of Scriabin in Eastern Europe. He was also highly praised for his interpretations of the piano works of Robert Schumann and he was a highly respected teacher.

This is the second of Brilliant's box sets devoted to Russian recordings from Evgeny Kissin. Labeled as early, these live concert performances from 1984 to 1990 carry us from the day after Kissin turned 13 (Mozart Cto. #12 K. 414) to age 18 (Mozart Cto. #20, K. 466), with most readings clustering in the range of 1985-89. Russians were well aware of the marvel in their midst; the pianist's American breakthrough occurred in 1990 when he debuted at Carnegie Hall's centennial season.