Rutherford

With the first Bruce Springsteen and the E Street Band concerts in six years now fewer than 50 days away, a return to where their rebirth began feels fitting.

A separation between the indie rock band The Neighbourhood and their leader singer Jesse Rutherford happened, but don’t worry, The Nbhd is still a band. We don’t know what to expect. Or do we? We know that the creative process hasn’t been easy nor brief, as Jesse explains through another tweet, and we can hear it all in this “debut” album. Jesse knows what he is doing, and even if sometimes the sounds are confused and blurry, it is visible that behind every note there is a meaning.

Introducing a clear path toward event excellence A comprehensive guide to essential competencies for event coordinators Professional Event Coordination examines the full event planning process and provides the tools and…

This accessible one-volume survey of the literature of Greece and Rome covers the period between Homer around 700 BC and Augustine around AD 410. It highlights what is important historically and of continuing interest and value in classical literature.

Past and present unite as E Street Band members and special guests drop in on Bruce and the 1992-93 band at the penultimate show of the Human Touch/Lucky Town tour. A stirring 35-song set opens with a mini acoustic set and rolls on through key tracks from both albums plus a few rarities (“Satan’s Jeweled Crown”) before wrapping with an epic, 11-song encore extravaganza featuring Southside Johnny, Joe Ely, Little Steven, Max Weinberg, Soozie Tyrell, the Miami Horns and the Big Man himself.

Boasting eight changes from the previously released first night of the ten-show Brendan Byrne ’84 stand, 8/6/84 delivers a fresh perspective on the Born In The U.S.A. tour arena leg. The Nebraska mini-set features “Atlantic City,” plus the first 1984-85 versions of “Nebraska” and “Open All Night” in the Archive series, the latter introduced with the classic “Son, you’re in a lot of trouble” story. The same for new additions “Fire” and “Racing In The Street,” along with encore performances of “I’m A Rocker” and Bruce’s highly charged and relevant as ever cover of the Rolling Stones’ classic, “Street Fighting Man.”