Ryuichi Sakamoto

Neo Geo is a 1987 album by Ryuichi Sakamoto. The term "neo geo", or "new world", is derived from Sakamoto himself as a way to describe worldwide musical diversity in regard to genre (similar to world music and world beat).

Restrained, passionate, and absolutely beautiful.
"Forbidden Colours" is a 1983 song by David Sylvian and Ryuichi Sakamoto. The song is the vocal version of the theme from the Nagisa Oshima film Merry Christmas, Mr. Lawrence. It appears on the film's soundtrack album and was released as a single on Virgin Records in 1983 (the second collaborative single release by Sylvian and Sakamoto, following 1982's "Bamboo Houses").

Ryuichi Sakamoto, one of the pioneering figures of Japanese electronic music, demonstrates his versatility on this change-of-pace album. Released in 2004, 04 is dominated by Sakamoto's prowess on the acoustic piano, and features excerpts from several of his scores for motion pictures (including his music for Merry Christmas, Mr. Lawrence), television commercials (such as a campaign for Louis Vuitton), and video games ("Seven Samurai: Ending Theme" was composed for the PS2 game Seven Samurai 20XX).

Alva Noto + Ryuichi Sakamoto with Ensemble Modern - utp_ (2008) [CD + DVD] {Raster-Noton r-n 96}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 409 Mb | MP3 @320 -> 181 Mb
DVD9 -> 6.23 Gb | All Regions | NTSC 16:9 | Dolby AC3, 6 ch / Dolby AC3, 2 ch | ~ 113 min | ISO Image | Subs: English, Deutsch
Full Artwork @ 300 dpi (png) -> 149 Mb | 5% repair rar
© 2008 Raster-Noton | r-n 96
Electronic / Classical / Leftfield / Avant-Garde / Glitch / Abstract / Modern Classical / Minimal

Commissioned by the city of Mannheim (Germany) for its 400th anniversary, UTP was co-composed by Carsten Nicolai (aka Alva Noto) and Ryuichi Sakamoto. The work, whose title is deducted from the word "utopia," is scored for electronics, piano, and chamber ensemble, the latter being Ensemble Modern. It consists in extremely slow-paced tableaux of stretched out octaves and skeletal motives, a Butoh-like performance. The piece is solemn and entrancing, like Morton Feldman's music – more elegant, perhaps. It marks a new step in the evolution of Nicolai and Sakamoto's music, together and apart, as neither of them had yet concocted something this sparse, this naked.

Depending on your viewpoint, director Brian De Palma has been frequently lauded/taken to task for liberally appropriating the stylistic flourishes of other directors. And if De Palma's biggest "inspiration" on Snake Eyes is Alfred Hitchcock, the director found an admirable, if unlikely, semblance of frequent Hitchcock collaborator Bernard Herrmann in Ryuichi Sakamoto. Though better known for more delicate, electronic, and ethnically tinged work, here Sakamoto does a truly amazing Benny impression, cranking up the brass and swirling the strings into an unsettling sonic maelstrom that would've done late '50s Hitch proud. Meredith Brooks and LaKiesha Berry also contribute a pair of songs in the contemporary pop vein that the kids seem to like so much.

If eclectic is your bag, then Heartbeat might be your thing. Like Hector Zazou, Ryuichi Sakamoto employs a realm of many styles on this upbeat collection. Songs performed in Japanese, Russian, French, and English (by friends Youssou N'Dour, David Sylvian, and Deee-Lite's DJ Towa Towa and Super DJ Dmitri) top an already brimming album that is everything its predecessor, Beauty, wasn't. Two completely different versions of the title track add arty spice. "Triste" is a wonderful, lazy-afternoon stroll in Paris jazz; "Lulu" follows suit. Is there no end to this Sakamoto's talent? He does jazz, rap, and chucks in a couple of solo piano pieces reminiscent of his soundtrack work. "Songlines" came about via his score for Pedro Almodovar's High Heels. "Boram Gal" and "High Tide" – with guests Youssou N'Dour and Arto Lindsay, respectively – are both delicate and swathed in summer. Ingrid Chavez adds poet's fire to frozen dust on "Returning to the Womb" and contributes eerie funk on "Cloud #9."

Milan Records is proud to release “12,” an intimate collection of twelve compositions by Ryuichi Sakamoto, written and recorded in Tokyo during his fight with cancer throughout 2021-2022. Each numbered title refers to its recording date. About the album, Sakamoto says: ”….after I finally “came home” to my new temporary housing after a big operation, I found myself reaching for the synthesizer. I had no intention of composing something; I just wanted to be showered in sound. I’ll probably continue to keep this kind of “diary.”

Composition for 1992 Summer Olympics opening ceremony officially released on the 1997 mini-album of the same name.
Ryuichi Sakamoto crossed numerous musical and cultural boundaries throughout his groundbreaking, highly accomplished career. As one-third of Yellow Magic Orchestra, he helped build the foundation for synth pop, electro, and techno during the 1970s and early '80s. He won several major awards for his scores to the films Merry Christmas, Mr. Lawrence (1983) and The Last Emperor (1987), both of which he had starring roles in. On albums like Neo Geo (1987) and Beauty (1989), he fused pop, classical, electronic music, and global textures and rhythms, working with an extensive guest list ranging from Brian Wilson to Youssou N'Dour…