Album by the great canary vocal group 'Los Sabandeños', marking the fifty those published, currently with over seventy albums released. The title of 'Gardel' has to do with a way of paying homage to the tango and the best performer, both threads by Gardel himself and other great Argentine musicians as Canaro, Discépolo, Troilo, Cobian, Piazzolla or Demare. But the album also includes outside that context some other works (including bolero format) of authors as Alberto Cortez, 'Distancia', singing along with them, Rafael Amor, 'No me llames extranjero', -also sings with them- and even an anonymous Cuban song from XIX century, 'El colibrí', which accompanies them Soledad Bravo as in 'Esta noche serena' serena'. A note also the collaboration of Argentinian bandoneon player Rodolfo Mederos in 'Yira, yira'. This production by The Sabandeños won two gold albums and one platinum for sales success. Singular musical contribution that meets the ever splendid vocal quality of 'Los Sabandeños' with tango music.
Record released by the great and popular Spanish choral group, 'Los Sabandeños'. The group, that began his long career in 1966, is heading for half a century, and although has known to update numerous members, maintains a distinctive folk style, warm and lyrical voices in the service of Latin and folk music.
This album, released in 1998, to mark the 50th anniversary of the Universal Declaration of Human Rights, is expressly dedicated by 'Los Sabandeños' to women -mates of this planet Earth- as a tribute and solidarity with them. The disc records a unique global compendium dedicated to women through 19 of them, whether real or fictional, whose names give title to each of the songs.
Singer and actress Maria Dolores Pradera was born in Madrid on August 29, 1924. She spent much of her childhood in Chile, her family brought there by her father's business. She began working as an actress on both stage and screen as early as her late teens. Her first major works were the films Yo No Ne Caso in 1944 and Los Habitantes de la Casa Deshabitada in 1946. It was while working on Los Habitantes that Pradera met Fernando Fernan Gómez, whom she would marry in 1947. From there she would perform in various theaters in Spain, France, and Mexico, collaborating with the most important directors of the day.