Frontiers Music Srl is pleased to announce the signing of Sabu to the label and the subsequent release of a new album, "Banshee". Sabu is the namesake of singer/guitarist/producer Paul Sabu, whose outstanding contributions to the genre over the past three decades have made him a legendary figure in the world of AOR. This will be the first Sabu album since 1998's "Between The Light" and the sixth Sabu album overall. "Banshee" was created in collaboration with Barry Sparks (ex-Yngwie Malmsteen, Michael Schenker Group, UFO, Dokken, and Ted Nugent), who, along with Paul, provides all the instrumentation on the album, as well as background vocals. Fans who are familiar with Sabu's work will find that the sound and vibe of "Banshee" is in line with Paul's classic releases under the band moniker Only Child, so, needless to say, something for AOR aficionados to truly look forward to.
Sorcery! showcases the fully fleshed out vision of New York-bred conguero and percussionist Louis “Sabu” Martinez (1930–1979) who leads a nonet on this six-track opus congastium. It is released in 1958 on Columbia Records and comprises of anything but unique compositions, or better still, developments and progressions…
The final release of conga master Sabu Martinez is an out-in-the-psychedelic-ozone masterpiece. Featuring a politicized Martinez reciting poetry, his own manically exotic percussion ensemble, and a slew of reeds, woodwinds, and brass, this is a heady brew of poetry expressing Latino and indigenous pride, political indictments against the white man, and killer Afro-Cuban jazz. Think of Archie Shepp's Attica Blues or Abbey Lincoln and Max Roach's Freedom Now Suite done by Chano Pozo and you are getting the idea. The layers and layers of congas and djembe drums, the wailing saxophones à la Coltrane and Pharoah Sanders, and swirling flutes played as if they were Eric Dolphy or Prince Lasha, hypnotically elocuting Martinez's poetic recitations – after he's finished speaking.
Sabu Martinez's debut as a leader mostly features percussionists (other than bassist Evaristo Baro), including the leader, Arsenio Rodriguez (who doubles on the tres), Cesar Travieso, Quique Travieso, and Ray "Mosquito" Romero. Martinez, Rodriguez, and Travieso also join Willie Capo and Sarah Baro in singing and chanting. Six of the eight songs are Martinez's originals, although the most memorable cut is the opening "El Cumbanchero," which has a catchy melody and a Martinez vocal that in tone sounds surprisingly like Cab Calloway in spots. Intriguing African-oriented music. ~ AllMusic