Released in 1993, The Security of Illusion signaled a rebirth of sorts for Canadian prog rock popsters Saga, as earlier members Jim Gilmour (keyboards) and Steve Negus (drums) were welcomed back into the fold – for the first time since 1985's Behaviour. And as evidenced by the music, the result of the reunion returned the group straight back to their heady early-'80s period, especially on the downright vicious rockers "Mind Over Matter" and "Stand Up," as well as the percussive-heavy album closer, "Without You." Instead of being influenced by what was going on in the rock world circa this time period (here's a hint…well, whatever, nevermind), Saga stick to their guns on The Security of Illusion, and come up with a release that nearly managed to out-rock their Canadian competitor at the time, Rush.
The only, eponymous album of this Fantastic Swedish quartet was released by Sonet Records in 1974 and is often considered as one of the very best Swedish records of mid-70’s era. Saga were formed by Christer Stålbrandt (the leader of great, heavy progressive band November) and represented a further development of the style prevalent on 2nd and 3rd November albums. The new band had an expanded range of instruments (including cello, piano and soprano sax) and more accomplished compositions (with great results), although it was still guitar-based, raw and very intense heavy progressive music (sung in Swedish). This CD edition has been carefully remastered from original, analogue source and sounds better than ever!
Saga have had their share of lineup changes along the way; one of the most talked about came in late 2007, when longtime frontman Michael Sadler left the band (Rob Moratti was hired as a replacement the following year). Sadler had been Saga's lead singer from the beginning; he was around back when the Canadian prog rockers were still calling themselves Pockets (which was also the name of an Earth, Wind & Fire-ish soul-funk band that recorded three LPs for Columbia in the late '70s), and his departure came after no less than 30 years with the band. Documenting a 2007 show in Munich, Germany, Contact: Live in Munich was recorded/filmed during Sadler's final tour with Saga…
Nearly 30 years after their self titled debut album, Canadian melodic/prog rock legends, Saga are back to offer their amazing new (seventeenth) studio album, Trust. Trust once again delivers that trademark Saga sound; progressive rock chops combined with memorable, radio-friendly melodies…
This DVD project came together when during a break in the touring of the "Marathon World Tour". The Band started to review the untold hours of video and thousands of photos from the tour. None of the video or photos had been shot with the intention of a DVD in mind but after reviewing all of this, the possibility was raised and the editing began…
While Saga began as a progressive rock band, increasing pop sensibilities put the group in a league with bands like the Fixx in the early '80s. This album, which follows the excellent Worlds Apart, is nearly as good as its predecessor; Michael Sadler's commanding voice leads the way while the rest of the band punches up the fairly succinctly written songs with loads of texture and occasional instrumental fireworks. The guitar/keyboard interplay between Jim Gilmour and Ian Crichton alone is enough to get music geeks salivating. Producer Rupert Hine gives the material just enough production sheen to make it sizzle on the airwaves ("The Flyer" was a minor radio hit). Equally enjoyable for pop fans and prog rock fans, this unfortunately was Saga's last great record.
Finally reunited with their original singer Michael Sadler, the band is stronger than ever. 20/20 has all that it takes to become an instant progressive rock classic…
Full Circle. Indeed. You don't need to understand the significance of the title or artwork to appreciate this album, but the background history is important. Saga emerged in the late seventies with a style of music that fused the coming synthesizer-driven pop sound with hard rock guitars and a flair for progressive instrumental sections. Add to that songs of science fiction and intrigue and you have what made the first four albums Saga classics…
Released in 1993, The Security of Illusion signaled a rebirth of sorts for Canadian prog rock popsters Saga, as earlier members Jim Gilmour (keyboards) and Steve Negus (drums) were welcomed back into the fold – for the first time since 1985's Behaviour…