Everything about this African singer/songwriter is striking. An albino with a gritty voice that transcends classification, he spins dance tracks that reveal a dedication to tradition and passion. A unique treat. Salif Keita is a god in his own country, we puny Americans really have no musicians to compare with his status, (maybe John Lennon in his heyday). Folon is a great reminder of why hes such a god.
Midway through the Mandingue groove inferno that is “Dakan Sate, Korotoumi” I knew I had found a gem. Hypnotic guitar solos, heavy bass riffs, psychedelic organ lines, and funky horns… what more could you want?
2010 three CD set. From the dusty plains of Mali to the Tanzanian Serengeti, the African voice can be heard loud and proud throughout this vast and vibrant continent. Featured are African superstars Salif Keita, Orchestra Baobab, Rokia Traor‚, and Youssou N'Dour as well as less well-known names who will equally delight and excite such as Malian bluesman Boubacar Traor‚ and Zanzibar Taarab singer and WOMEX Award winner Bi Kidude.
In 2005, Senegalese superstar Youssou N'Dour helped organize a concert in Dakar, Senegal, to generate support in the fight against malaria, a disease that continues to plague much of Africa. The Roll Back Malaria concert showcased some of the finest musicians in Northwest Africa, performing in a wonderful if small cross section of musical styles from the vast African continent.
Some common elements in all the performances were multiple percussionists (this being Africa, after all), and an aural fabric of ostinatos, usually played by one or more electric guitars.
2010 three CD set. From the dusty plains of Mali to the Tanzanian Serengeti, the African voice can be heard loud and proud throughout this vast and vibrant continent. Featured are African superstars Salif Keita, Orchestra Baobab, Rokia Traor‚, and Youssou N'Dour as well as less well-known names who will equally delight and excite such as Malian bluesman Boubacar Traor‚ and Zanzibar Taarab singer and WOMEX Award winner Bi Kidude.
The Prayer Cycle is a surprisingly spiritual and moving album masterminded by composer Jonathan Elias, featuring an all-star cast culled from the pop, rock, and world music arenas (including Nusrat Fateh Ali Khan, Alanis Morissette, Perry Farrell, Linda Ronstadt, James Taylor, Ofra Haza, Salif Keita, and more). The album is structured as a nine-movement suite, with each movement dedicated to a different spiritual quality. Elias' material elicits passionate, committed performances from the assembled artists, making it a deeply felt statement on bridging cross-cultural differences.
With his new solo album Djourou, Malian composer Ballaké Sissoko connects with artists from distant horizons. Djourou is the cord that connects me to other people, says Ballake Sissoko with characteristic simplicity. It is a magnificent distillation of that same art: the art of being yourself and being with others. It combines pieces in which Ballake converses, all alone, with his kora, and others in which he takes palpable pleasure in dialoguing with musicians whose contributions come across like declarations of love. Ballaké links with the singer Camille, the band Feu!Chatterton, famous French MC Oxmo Puccino, the clarinetist Patrick Messina, the singer Piers Faccini, Salif Keïta's sacred voice, the gifted kora-player Sona Jobarteh, alongside cellist and longtime musical partner, Vincent Segal. Ballaké is an improviser and prodigy who is still reinventing himself and who takes his art to explore other worlds. Djourou presents the Malian kora players music in all its multi-faceted forms: intimate and universal, singular and plural, solo or in conversation.