"Strauss: Metamorphoses & Wind Sonatina No. 1" is the second album in a series of six that the Mozarteumorchester Salzburg will release on the Berlin Classics label until 2025. For this album, the orchestra has chosen the internationally renowned conductor Riccardo Minasi. Originally, a concert under his baton was to take place at Salzburg's "Großes Festspielhaus" in the 2020/21 season, but like so many events, it had to be canceled. Instead, the decision was made to record with repertoire whose instrumentation sizes were appropriate to the conditions: Richard Strauss "Metamorphosen" for 23 solo strings and the first Sonatina for 16 wind instruments. The repertoire thus selected highlights the individual sections of the orchestra, strings and winds, and illustrates the orchestra's flexibility in seemingly effortlessly realigning itself for the repertoire at hand. It further demonstrates that the orchestra's constant preoccupation with its core repertoire informs its approach to the music of later eras - impressively heard on the current album of High Romantic music by the late Richard Stauss.
Nikolaus Harnoncourt is credited with making historical performance practice respectable in Salzburg. His memorable debut concert in 1980 was the prelude to a long string of successes that culminated in the Mozart Week 2006, when Harnoncourt was Artist in Residence and gave his acclaimed ceremonial address on 27 January on the occasion of the 250th anniversary of Mozart’s birth. The inaugural concert and rehearsals from 2006 can be heard on this album. The 3-Discs edition covers the period of Harnoncourt’s influence on the interpretation of Mozart’s music. Between 1980 and 2006, the conductor succeeded in persuading both musicians and audiences to be receptive to new playing and listening habits, while he personally evolved from a pioneer of historical performance practice to an acclaimed maestro. When Harnoncourt made his debut at the Mozart Week Salzburg on 27 January 1980, concert audiences were under the spell of conductors such as Karl Böhm.