As part of MCA's 20th Century Masters - The Millennium Collection, the 12-track Best of Sam the Sham & the Pharaohs disc highlights the group's best-known material originally released on MGM in the mid-'60s. Besides the obvious hit singles "Wooly Bully" and "Lil' Red Riding Hood," the real highlights are the timeless "Ring Dang Doo," "(I'm in With) The Out Crowd," "Oh That's Good, No That's Bad," and "Ju Ju Hand." This is fun stuff with more groove and a slight edginess that, criminally, Sam the Sham was never given proper credit for.
Brown's third studio album, 43 Minutes…, was made around the same time that her mother was dying from breast cancer. A&M, Brown's record label at the time were not satisfied with the album and wanted some potential hit singles recorded and added to the track listing. Brown, unwilling to compromise and after a protracted legal battle, bought back the master recordings of the album and released them in 1992 on her own label Pod Music, a year after the death of her mother. The album has become a firm favourite with fans who cite it as her strongest album in her portfolio.
Samantha Brown is an English female singer-songwriter, composer, multi-instrumentalist, arranger and record producer.
The box set has been an 18-month labour of love and has been curated by me (SDE Editor, Paul Sinclair), with the full support and enthusiasm of Sam Brown. It includes newly mastered versions of the albums Stop! (1988) and April Moon (1990) and three further discs offering B-sides, unreleased demos.
The Complete Keen Years: 1957–1960, collects Sam Cooke’s body of work as he began releasing secular albums, stepping away from the Soul Stirrers where he found great success as a gospel singer. Cooke had been releasing and dominating the gospel sales market over the six years previous to “You Send Me” and “Summertime” being released. Within this newly remastered collection are his unique versions of standards alongside performances that showcase his songwriting skills. Sam Cooke defined himself as a voice ahead of his time elevating the sound of soul at the turn of the decade.
While the sound quality leaves something to be desired, fans of electric Chicago blues should hear Magic Sam live. Recorded at two separate locations, the Alex Club in Chicago in 1963 and 1964 and the Ann Arbor Blues and Jazz Festival in 1969, this disc captures the raw energy not only of the musicians, but the crowds' tremendous response to them. Sam is in his natural environment at the Alex Club with an interchanging quintet, including electric pianist Tyrone Carter and tenor saxophonists Eddie Shaw and A.C. Reed, playing in front of a rowdy audience, ready to party.